G5 1 MS*EchoZ** Use the Z-pedal with this 70s Marshall sound to create a time-stretching effect like an analog echo. 1.00 1 27 13 0 100 0 0 0 0 0 0 1 65 0 0 50 6 100 0 0 0 0 1 98 100 56 100 48 52 50 0 22 0 1 66 19 8 60 5 100 0 0 0 0 1 161 5 50 50 5 0 100 0 0 0 1 64 14 7 38 89 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 0 74 11 0 50 0 100 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 4 4 0 0 0 0 0 0 0 0 TremoloZ** This uses FD COMBO for a clean sound. Use the Z-pedal to control the Tremolo effect. 1.00 0 71 100 50 150 0 0 0 0 0 0 1 163 80 50 130 21 0 0 0 0 0 1 92 100 96 23 67 89 83 52 22 0 1 54 129 41 51 8 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 1 0 0 0 0 0 0 0 0 W-ShiftDrv This drive sound uses the BGN DRIVE effect. Use the Z-pedal to control the pitch shifter and vibrato. 1.00 1 110 83 30 76 52 49 49 54 22 0 1 27 4 0 100 0 0 0 0 0 0 1 44 61 27 18 2 86 0 0 0 0 1 149 0 0 100 60 30 6 0 0 0 1 7 2005 2001 10 36 37 100 100 100 0 1 105 9 5 12 32 5 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 0 100 11 0 84 0 40 0 0 0 0 0 0 0 0 52 0 30 0 0 1 2 3 3 0 0 0 0 0 0 0 0 MoveJet-Z The Z-pedal controls FlangerZ in this simple flanger sound. 1.00 1 27 7 0 100 0 0 0 0 0 0 1 162 65 40 47 4 0 100 0 0 0 1 97 64 43 78 68 60 44 63 22 0 1 60 8 6 37 28 100 0 0 0 0 0 107 48 21 12 3 68 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 0 100 0 0 176 0 100 0 0 0 0 0 81 0 0 81 0 0 0 0 1 2 3 1 0 0 0 0 0 0 0 0 TalkingZ** The combination of TalkPDL-Z and MS1959 create a classic talking modulator sound. 1.00 1 140 59 30 100 50 50 50 49 15 0 1 126 0 50 50 0 7 110 50 0 0 1 27 3 0 100 0 0 0 0 0 0 1 53 559 35 25 1 1 100 0 0 0 1 61 12 6 37 9 100 0 0 0 0 0 107 21 48 48 24 1 98 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 0 100 0 0 97 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 1 0 0 0 0 0 0 0 0 Wah&Pitch* Move the Z-pedal vertically to control Z-pedal wah and horizontally to control the pitch shifter. 1.00 1 23 7 7 98 1 0 0 0 0 0 1 30 14 12 12 10 16 18 100 0 0 1 122 0 16 100 0 0 0 0 0 0 1 159 100 8 100 0 0 0 0 0 0 1 114 51 30 74 50 50 50 50 22 0 1 63 19 8 15 0 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 0 100 0 0 50 0 50 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 3 0 0 0 0 0 0 0 0 ShuffleAT* Using the Slicer, this patch automatically generates a shuffle backing pattern. 1.00 1 27 9 1 100 0 0 0 0 0 0 1 3 14 31 100 0 120 0 0 0 0 1 113 30 38 84 50 50 50 50 22 0 1 60 9 5 24 48 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 52 0 90 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 BoostZ**** Use the Z-pedal to control the volume of this clean/rhythm/lead sound. 1.00 1 164 100 100 0 1 9 27 100 100 0 1 108 84 58 100 65 55 39 41 22 0 1 27 3 0 100 0 0 0 0 0 0 1 62 7 4 40 9 100 0 0 0 0 0 107 43 7 17 3 0 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 0 100 0 0 81 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 0 0 0 0 0 0 0 0 0 MultiMod** This rich modulation sound with a wide stereo feel is created by a combination of DuoPhase and StereoChorus effects. 1.00 1 27 9 1 100 0 0 0 0 0 0 1 92 24 30 93 54 45 32 52 22 0 1 10 0 1 100 9 4 2 29 29 0 1 44 80 31 60 7 100 0 0 0 0 1 7 446 584 52 45 36 100 100 95 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 52 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 BG*Filter* Use the Z-pedal with this high-gain sound to apply strong filtering. 1.00 1 28 6 100 0 0 0 0 0 0 0 1 100 30 66 63 33 62 68 46 22 0 1 124 75 44 100 100 50 0 0 0 0 1 60 9 5 30 48 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 0 100 0 0 19 0 150 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 2 0 0 0 0 0 0 0 0 FunkyMute* This funky percussive sound uses compressor and phaser effects, making it perfect for single-note muted backing lines. 1.00 1 19 5 11 100 3 0 0 0 0 0 1 27 13 1 100 0 0 0 0 0 0 1 92 3 34 150 40 50 50 30 22 0 1 105 42 7 12 53 7 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 71 0 150 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 BGN*Chaos* This is a nice lead tone that uses BGN DRIVE. Use the Z-pedal to add chaotic tonal changes. 1.00 1 28 3 100 0 0 0 0 0 0 0 1 150 0 5 100 40 0 0 0 0 0 1 110 55 80 69 57 56 48 54 22 0 1 7 2005 2006 48 30 17 100 100 100 0 1 60 12 6 22 48 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 0 100 0 0 97 0 0 0 0 0 0 0 176 100 0 0 0 0 0 0 1 2 3 1 0 0 0 0 0 0 0 0 DriveA-Wah Combining a nice drive sound with auto-wah, this patch sings in response to dynamics with both single note lines and chords. 1.00 1 27 6 0 100 0 0 0 0 0 0 1 33 15 6 100 0 0 0 0 0 0 1 114 36 66 59 75 58 67 48 22 0 1 63 8 6 28 31 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 176 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Taste-AC** You don't need to change your axe in the middle of a show. This patch uses the acoustic simulator for a tone with a lot of air. 1.00 1 27 6 1 100 0 0 0 0 0 0 1 25 31 3 100 9 0 0 0 0 0 1 85 75 71 100 0 0 0 0 0 0 1 43 2 23 50 100 0 0 0 0 0 1 66 27 7 77 8 100 0 0 0 0 1 60 8 7 20 23 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 176 0 100 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 4 8 0 0 0 0 0 0 0 0 Fripper*** This ambient reverse delay sound uses a spacious loop. Move the Z-pedal left and right to control the delay. 1.00 1 79 100 0 34 0 0 0 0 0 0 1 27 13 1 100 0 0 0 0 0 0 1 96 51 30 140 46 50 51 10 22 0 1 57 2055 20 50 8 124 0 0 0 0 1 60 28 5 54 49 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 74 0 0 52 0 150 0 0 0 0 0 68 50 0 67 0 100 0 0 1 2 3 8 0 0 0 0 0 0 0 0 HotSpice** Use the Z-pedal to switch between a VX JMI crunch sound and a sitar sound. 1.00 0 71 97 28 124 0 0 0 0 0 0 1 141 71 37 100 34 69 43 46 5 0 1 27 3 0 100 0 0 0 0 0 0 1 132 100 50 0 2 20 25 100 0 0 1 65 5 20 20 3 100 0 0 0 0 1 61 8 3 37 28 100 0 0 0 0 1 7 2003 2006 0 0 0 100 100 100 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 0 100 0 0 116 0 60 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 4 3 0 0 0 0 0 0 0 0 Horn****** Short reflections from the Air effect make this patch sound like a wind instrument. This is great for playing sax-style phrases. 1.00 1 27 13 0 100 0 0 0 0 0 0 1 102 100 18 60 48 50 41 14 22 0 1 31 30 0 12 16 0 22 100 0 0 1 66 74 8 74 5 100 0 0 0 0 1 64 8 7 46 89 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 74 0 0 56 0 96 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 4 8 0 0 0 0 0 0 0 0 Volume*Pad This patch turns the guitar sound into a synthesized string pad. Shift the Z-pedal right to double the sound one octave up. 1.00 1 26 18 0 100 0 0 0 0 0 0 1 49 24 5 14 25 100 0 0 0 0 1 92 28 44 122 48 50 33 20 22 0 1 30 8 12 12 12 12 12 100 0 0 1 55 137 0 24 10 100 0 0 0 0 1 44 68 33 60 7 100 0 0 0 0 1 7 299 399 90 43 38 100 100 100 0 1 7 449 349 94 39 44 100 100 100 0 0 146 0 0 0 0 0 0 0 0 0 0 0 74 0 0 72 0 150 0 0 0 0 0 0 0 0 36 0 100 0 0 1 2 3 8 0 0 0 0 0 0 0 0 TRM&PHSR** Use the Z-pedal horizontally to switch between Tremolo and Phaser. Press down on the pedal to turn PedalCry ON. 1.00 1 28 6 100 0 0 0 0 0 0 0 0 68 14 0 100 0 0 0 0 0 0 1 75 40 44 90 0 0 0 0 0 0 1 104 30 30 87 54 50 47 52 22 0 1 154 100 4 11 21 3 100 0 0 0 1 60 18 5 60 48 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 0 100 0 0 68 0 120 0 0 0 0 0 50 40 100 0 0 0 0 1 2 3 4 4 0 0 0 0 0 0 0 0 RotaryZ*** This is a classic organ tone. Use the Z-pedal to control the rotation speed and stereo width of the rotary speaker. 1.00 1 28 9 100 0 0 0 0 0 0 0 1 2 72 28 80 3 8 120 0 0 0 1 86 69 50 129 0 0 0 0 0 0 1 160 0 50 50 141 20 0 0 0 0 1 61 9 8 60 4 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 0 100 0 0 19 0 150 0 0 0 0 0 35 26 76 0 0 0 0 0 1 2 3 3 0 0 0 0 0 0 0 0 GranuRevo* This combines the REVO-1 high-gain sound with a GRANULAR effect. Adjust break time with the Z-pedal. 1.00 0 73 21 50 41 0 0 0 0 0 0 1 113 34 33 100 21 72 64 38 22 0 1 158 0 100 9 40 30 100 0 0 0 1 55 494 16 14 17 80 0 0 0 0 1 61 15 8 64 4 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 0 100 0 0 36 0 150 0 0 0 0 0 68 14 24 0 0 0 0 0 1 2 3 2 0 0 0 0 0 0 0 0 Cho&Rev*** Use the Z-pedal horizontally to switch between Chorus and Reverb. Press down on the pedal to turn PedalVx ON. 1.00 1 135 7 54 50 0 0 0 0 0 0 0 67 14 0 100 0 0 0 0 0 0 1 92 21 100 59 48 74 49 52 22 0 1 151 100 19 19 60 100 0 0 0 0 1 7 164 504 24 55 37 100 100 100 0 1 44 80 29 60 7 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 0 100 0 0 50 20 41 0 0 0 0 0 100 60 100 0 0 0 0 0 1 2 3 3 0 0 0 0 0 0 0 0 GoodFuzz** With this patch, you can get a great fuzz sound no matter what the volume setting of the guitar. The clear sound when the volume is around 2 is really great! 1.00 1 78 42 100 100 0 0 0 0 0 0 1 98 27 72 50 70 61 36 63 22 0 1 63 6 7 37 40 100 0 0 0 0 1 27 21 1 100 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 176 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 RNDM*Talk* This patch lets the guitar say what it wants! Press the Z-pedal to make it talk faster! 1.00 1 108 87 70 58 50 50 50 50 22 0 1 27 15 0 100 0 0 0 0 0 0 1 127 6 50 100 0 0 0 0 0 0 1 60 9 5 46 48 100 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 2 0 0 0 0 0 0 0 0 Fast*Filt* This filter sound responds quickly to picking dynamics. Single note lines work best with this effect. 1.00 1 27 6 0 100 0 0 0 0 0 0 1 23 7 6 100 0 0 0 0 0 0 1 0 77 4 6 2 1 0 100 100 0 1 92 30 68 63 54 70 47 52 22 0 1 5 269 13 38 34 31 7 100 0 0 1 62 25 3 42 51 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 176 0 100 0 0 0 0 0 0 0 0 0 0 0 0 3 4 5 6 8 0 0 0 0 0 0 0 0 ExciteSurf This is a surf guitar sound with a strong attack and lots of reverb. Use the exciter instead of the booster when soloing. 1.00 1 24 40 5 100 6 0 0 0 0 0 0 115 82 91 130 0 0 0 0 22 0 1 92 24 75 57 64 85 56 52 22 0 1 63 12 7 62 99 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Fuzz+A.Pan This lead sound has a distinctive fuzz. Use the Z-pedal to control the frequency of the auto-pan and wah for a psychedelic sound. 1.00 1 79 65 82 100 0 0 0 0 0 0 0 122 0 0 100 0 0 0 0 0 0 1 104 13 53 100 70 70 70 56 22 0 1 116 5 100 150 7 0 0 0 22 0 1 53 559 30 21 8 1 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 2 0 34 0 50 0 0 0 0 0 66 5 1 66 5 32 0 1 2 3 4 8 0 0 0 0 0 0 0 0 FLNG&DLY** Use the Z-pedal horizontally to switch between Flanger and Delay. Press down on the pedal to turn PedalCry ON. 1.00 0 68 14 0 100 0 0 0 0 0 0 1 24 40 5 100 6 0 0 0 0 0 1 152 100 5 399 40 20 60 100 0 0 1 109 44 21 110 32 50 50 50 22 0 1 66 19 8 19 5 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 2 0 0 0 0 0 0 0 0 FuzzyBack* This is a fuzz sound with feedback. One trick is to play long tones and move the Z-pedal to the right. 1.00 1 143 0 50 100 60 0 0 0 0 0 1 140 13 30 128 33 61 50 50 15 0 1 65 4 20 22 6 100 0 0 0 0 1 56 359 20 40 8 0 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 0 0 0 0 0 0 0 0 0 New*Arp*** Try this patch if you are sick of chorus-soaked arpeggios for a fresh arpeggio sound. 1.00 1 27 5 0 100 0 0 0 0 0 0 1 25 35 3 126 9 0 0 0 0 0 1 118 24 2 100 100 8 0 0 0 0 1 92 25 55 78 71 39 44 85 22 0 1 5 186 31 55 12 39 9 100 0 0 1 60 19 8 36 11 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 176 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 StarShip** Moving the Z-pedal creates an effect like a spaceship at warp speed. The key is to press the Z-pedal down slowly. 1.00 1 112 23 30 80 43 50 44 46 22 0 1 147 0 50 100 70 3 0 0 0 0 1 4 2006 28 57 5 0 100 0 0 0 1 105 10 5 46 20 4 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 1 0 0 0 0 0 0 0 0 Jazz****** This sound is good for jazz with a cool tone. 1.00 1 25 13 2 90 0 0 0 0 0 0 1 41 18 27 50 7 100 0 0 0 0 1 92 0 78 150 55 70 67 0 22 0 1 53 286 2 13 3 0 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Clean*FLNG Instead of chorus, this clean sound is modulated by a flanger effect. Suits a retro atmosphere. 1.00 1 28 6 100 0 0 0 0 0 0 0 1 23 2 8 90 0 0 0 0 0 0 1 46 38 12 14 14 60 100 0 0 0 1 92 25 65 86 52 40 52 60 22 0 1 63 12 7 32 5 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 176 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Oct-Lead** Use this to double a lead sound one octave below. Push the Z-pedal right to lower the doubling by another octave! 1.00 1 27 4 0 100 0 0 0 0 0 0 1 24 20 3 70 8 0 0 0 0 0 1 37 65 0 100 100 7 100 0 0 0 1 110 65 83 48 51 76 45 40 22 0 1 53 692 14 46 10 1 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 176 0 100 0 0 0 0 0 0 0 0 51 0 100 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Strumming* This simple crunch sound is great for lightly strumming low chords. 1.00 1 27 8 0 100 0 0 0 0 0 0 1 43 3 26 60 100 0 0 0 0 0 1 103 20 62 80 58 35 44 55 22 0 1 62 15 6 40 19 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 176 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 DZ*Bend*** This high-gain sound combines DZ DRIVE and PDL Mono Pitch. 1.00 1 28 9 100 0 0 0 0 0 0 0 1 70 0 10 0 0 100 0 0 0 0 0 122 0 40 100 0 0 0 0 0 0 1 101 45 30 77 53 47 51 55 22 0 1 65 4 20 19 6 100 0 0 0 0 0 165 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 5 0 0 0 0 0 0 0 0 SpaceWorm* The effect of this destructive ring modulator sound changes cyclically. 1.00 1 128 20 7 80 6 120 0 0 0 0 1 24 40 5 100 6 0 0 0 0 0 1 114 51 30 74 50 50 50 50 22 0 1 64 14 7 56 89 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 0 0 0 0 0 0 0 0 0 Synth-Lead This patch mixes multiple effects for a synth lead sound that reacts closely to picking dynamics. 1.00 1 27 13 0 100 0 0 0 0 0 0 1 34 17 10 100 0 0 0 0 0 0 1 113 43 46 70 62 88 26 51 22 0 1 49 24 7 32 33 100 0 0 0 0 1 11 66 47 110 2 9 92 0 0 0 1 5 248 17 46 38 36 8 100 0 0 1 64 12 7 35 28 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 176 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 iron*drive This drive patch mixes a sound like banging on metal with muted tones. Enjoy bridge muting with this one. 1.00 1 29 6 100 0 0 0 0 0 0 0 1 46 1 50 19 9 65 100 0 0 0 1 101 60 65 54 54 47 66 50 22 0 1 60 9 7 34 29 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 176 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Arpa*+++** The combination of PitchSHFT and Detune creates an ethnic instrument vibe. 1.00 1 24 40 5 100 6 0 0 0 0 0 1 49 24 5 20 25 100 0 0 0 0 1 41 40 24 50 7 100 0 0 0 0 1 85 22 97 90 0 0 0 0 0 0 0 54 292 47 33 5 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 4 8 0 0 0 0 0 0 0 0 Rise****** Using the Slicer, the sound rises rhythmically while maintaining a phase delay effect. This patch is good for playing long tones. 1.00 1 28 6 100 0 0 0 0 0 0 0 1 119 45 6 100 8 1 0 0 0 0 1 101 69 55 55 55 47 61 56 22 0 1 3 4 49 100 8 130 0 0 0 0 1 46 47 11 15 8 65 100 0 0 0 1 4 780 14 45 27 2 100 0 0 0 1 62 17 5 40 21 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 176 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Heaven**** This patch creates a chord sound that will make you feel like you are in Heaven. This is recommended for long chord backing parts. 1.00 1 26 19 1 110 0 0 0 0 0 0 1 12 6 7 23 6 7 99 0 0 0 1 92 16 30 104 48 45 44 26 22 0 1 44 80 30 60 7 100 0 0 0 0 1 7 618 505 89 32 39 100 100 100 0 1 60 22 5 48 48 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 70 0 150 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Edge*Cut** The attack is emphasized with compression in this 80s style cutting sound. This is good with single coil front and middle settings. 1.00 1 23 6 6 100 0 0 0 0 0 0 1 27 13 1 100 0 0 0 0 0 0 1 92 3 34 130 40 50 50 30 22 0 1 44 80 29 60 7 100 0 0 0 0 1 7 399 549 14 40 32 100 100 100 0 1 105 42 7 12 53 7 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 70 0 150 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Basic*Riff MS DRIVE is driven further with the Booster to make a sound that is good for heavy and round riffs. The thick bottom is also perfect for low tunings. 1.00 1 27 13 0 100 0 0 0 0 0 0 1 71 70 0 150 0 0 0 0 0 0 1 99 100 54 107 50 38 48 54 22 0 1 61 9 8 50 21 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 74 0 0 52 0 150 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Basic*Lead This standard lead patch uses T Scream and adds just the right amount of compression and sweetness to the wild MS DRIVE sound. 1.00 1 27 13 0 100 0 0 0 0 0 0 1 73 19 28 117 0 0 0 0 0 0 1 99 82 30 115 45 50 56 53 22 0 1 53 547 46 42 8 0 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 74 0 0 50 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Best*Clean This clean sound, which uses compressor, chorus and reverb, is good for everything from cutting to arpeggios. 1.00 1 23 5 6 100 1 0 0 0 0 0 1 41 29 26 34 7 100 0 0 0 0 1 92 29 53 73 60 61 46 66 22 0 1 27 14 1 100 0 0 0 0 0 0 1 63 13 7 21 30 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 176 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 BasicDrive This is it for your basic drive sound! Use the volume on the guitar to shift from crunch to drive, and turn #2 ON for a lead tone. 1.00 1 27 3 0 100 0 0 0 0 0 0 0 73 6 43 107 0 0 0 0 0 0 1 98 59 77 74 48 69 51 44 22 0 1 61 17 9 68 29 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 176 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Wah-Lead** This patch sounds like it is being played in a large hall. You can play it half-cocked or choke it while pressing down. 1.00 1 28 3 100 0 0 0 0 0 0 0 1 68 19 0 100 0 0 0 0 0 0 1 110 55 80 69 57 56 48 54 22 0 1 7 2005 2006 48 30 17 100 100 100 0 1 60 12 6 22 48 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 34 0 49 0 0 0 0 0 176 100 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Rich*Clean This clean sound has a refined high-class feel like some expensive studio gear. 1.00 1 28 5 100 0 0 0 0 0 0 0 1 24 32 3 64 7 0 0 0 0 0 1 92 25 74 69 53 41 44 74 22 0 1 48 21 22 34 8 110 0 0 0 0 1 44 70 32 50 6 80 0 0 0 0 1 7 2006 2005 48 20 26 100 100 100 0 1 64 15 8 35 68 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 176 0 100 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 4 8 0 0 0 0 0 0 0 0 ModnHvy*** This modern heavy sound emphasizes the low end. This patch also works well with drop tunings and 7-string guitars. 1.00 1 27 13 0 100 0 0 0 0 0 0 1 101 50 40 84 50 52 58 64 22 0 1 31 5 2 17 27 2 15 100 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 74 0 0 56 0 150 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 harmony*** This harmony patch sounds like it came out of a massive setup. Use the Key knob to harmonize in the desired key. 1.00 1 27 5 0 100 0 0 0 0 0 0 1 110 62 75 52 51 62 48 46 22 0 1 52 6 0 55 6 100 0 0 0 0 1 7 2005 2006 47 28 18 100 100 100 0 1 64 9 7 38 69 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 176 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Time*Clean This clean sound brings back the heyday of 80s rack effects as heard in Cyndi Lauper's “Time After Time.” 1.00 1 27 5 0 100 0 0 0 0 0 0 1 24 34 7 50 9 0 0 0 0 0 1 92 24 54 68 46 68 42 64 22 0 1 44 100 42 83 4 70 0 0 0 0 1 7 449 457 30 10 10 100 100 100 0 1 64 9 4 36 71 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 176 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 BasicTrem* This is a standard tremolo and crunch sound. Move the Z-pedal left and right to switch quickly to an aggressive tremolo sound. 1.00 1 28 7 100 0 0 0 0 0 0 0 1 41 27 23 55 4 100 0 0 0 0 1 94 40 66 77 56 65 45 62 22 0 1 38 45 34 130 16 0 0 0 0 0 1 63 11 6 29 9 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 176 0 100 0 0 0 0 0 66 45 100 66 45 100 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Blue*Drive This phrase sound responds to picking dynamics, guitar volume and other nuances. Go ahead and turn the booster ON to play lead! 1.00 1 28 4 100 0 0 0 0 0 0 0 0 71 42 50 150 0 0 0 0 0 0 1 114 47 70 46 69 63 52 50 22 0 1 56 301 30 44 9 0 100 0 0 0 1 63 10 6 20 5 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 176 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Clean*Wah* The wah and hall reverb of this simple clean sound make crisp cutting stand out. 1.00 1 28 4 100 0 0 0 0 0 0 0 1 67 19 25 100 0 0 0 0 0 0 1 92 31 69 71 50 65 48 40 22 0 1 60 8 7 48 14 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 34 0 49 0 0 0 0 0 176 100 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Cut-Phaser This phaser sound is just right for cutting with nice compression and a surging phaser. Get into the feel and your right hand won't stop! 1.00 1 28 9 100 0 0 0 0 0 0 0 1 25 32 4 105 4 0 0 0 0 0 1 39 18 1 100 0 0 0 0 0 0 1 92 35 70 62 63 35 38 66 22 0 1 62 15 4 34 9 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 176 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 MS*Love*** This crunch tone is a gift to all the guitarists who love the Marshall sound! 1.00 0 71 70 52 141 0 0 0 0 0 0 1 140 86 30 80 52 50 43 50 15 0 1 27 3 0 100 0 0 0 0 0 0 1 54 208 26 35 5 100 0 0 0 0 1 64 14 7 45 89 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 18 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Clean*Alp* Stereo Chorus and Stereo Delay create a gorgeous clean sound good for arpeggios. 1.00 1 24 11 9 22 9 0 0 0 0 0 1 27 10 1 100 0 0 0 0 0 0 1 92 24 44 100 58 47 33 48 22 0 1 30 8 12 12 12 12 12 100 0 0 1 44 68 29 60 7 100 0 0 0 0 1 7 299 399 33 45 40 100 100 100 0 1 105 28 7 22 42 6 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 74 0 0 72 0 150 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 DB*Dist*** This patch creates a fat distorted tone by using a chorus effect to double the guitar sound. 1.00 1 27 9 0 100 0 0 0 0 0 0 1 100 41 30 54 50 50 58 50 22 0 1 31 14 1 9 6 0 12 100 0 0 1 44 22 0 40 6 90 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 56 0 150 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 BendMod*** Vibrato has been added to a pitch shifter. Press down on the Z-pedal to raise the pitch an octave, and shift it right to apply vibrato. 1.00 1 27 9 0 100 0 0 0 0 0 0 1 70 0 6 0 0 100 0 0 0 0 1 48 100 0 72 7 120 0 0 0 0 1 100 43 44 69 42 68 48 17 22 0 1 53 860 30 52 10 1 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 36 0 100 0 0 0 0 0 0 0 0 51 0 50 0 0 1 2 3 8 0 0 0 0 0 0 0 0 FD*COMBO** This is the clean sound of the FD COMBO. Press the Z-pedal down to turn WAH100 ON. 1.00 0 122 0 48 54 0 0 0 0 0 0 1 135 7 53 50 0 0 0 0 0 0 0 63 15 9 19 0 103 0 0 0 0 1 92 27 32 78 51 43 43 52 22 0 1 61 7 8 31 4 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 18 0 50 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 DELUXE-R** This crunch sound uses the DELUXE-R effect. Turn the HotBox ON to boost it even more. 1.00 0 81 3 67 49 0 0 0 0 0 0 1 111 73 37 76 44 57 48 40 22 0 1 63 15 8 25 0 100 0 0 0 0 0 56 345 28 27 8 1 100 0 0 0 1 61 13 5 38 3 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 68 0 40 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 FD*VIBRO** This crunch sound uses FD VIBRO. Move the pedal vertically to add tremolo. 1.00 1 38 0 35 130 21 0 0 0 0 0 1 104 57 30 83 54 50 46 52 22 0 1 63 15 8 24 0 100 0 0 0 0 1 66 8 6 49 5 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 18 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 US*BLUES** This crunch sound uses the US BLUES model. Move the Z-pedal vertically to change the TapeEcho. 1.00 0 107 0 0 0 0 0 0 0 0 0 1 94 69 46 133 37 48 42 19 22 0 1 65 5 14 13 2 100 0 0 0 0 1 54 433 43 0 7 100 0 0 0 0 1 105 30 6 15 10 4 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 68 0 60 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 4 8 0 0 0 0 0 0 0 0 VX*COMBO** This crunch sound uses the VX COMBO model. Move the Z-pedal vertically to add the Ensemble effect. 1.00 0 107 0 0 0 0 0 0 0 0 0 1 93 20 40 100 35 55 50 37 22 0 1 65 4 20 33 2 100 0 0 0 0 1 45 30 34 40 4 100 0 0 0 0 1 60 2 4 25 52 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 68 0 100 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 4 8 0 0 0 0 0 0 0 0 VX*JMI**** This crunch sound uses VX JMI. Turn the Booster ON for solos. 1.00 0 71 97 28 124 0 0 0 0 0 0 1 141 71 37 91 34 69 43 46 5 0 1 27 3 0 100 0 0 0 0 0 0 1 65 5 20 20 3 100 0 0 0 0 1 61 8 3 37 28 100 0 0 0 0 1 7 2003 2006 0 0 0 100 100 100 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 100 0 60 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 BG*CRUNCH* This crunch sound uses the BG CRUNCH model. EarlyRef provides the secret ingredient. 1.00 1 95 82 30 90 51 42 59 61 22 0 1 27 4 0 100 0 0 0 0 0 0 1 65 5 18 15 2 100 0 0 0 0 1 56 359 33 30 8 1 100 0 0 0 1 60 9 5 31 9 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 68 0 50 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 MATCH30*** This clean sound uses the MATCH30 model and gets more width from the Air effect. 1.00 1 103 48 31 89 48 44 43 39 22 0 1 27 3 0 100 0 0 0 0 0 0 1 66 25 3 58 2 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 CAR*DRIVE* This crunch sound uses CAR DRIVE and features resonance characteristic of a small amp. 1.00 1 114 59 41 75 39 50 50 57 22 0 1 27 3 0 100 0 0 0 0 0 0 1 63 9 4 22 0 100 0 0 0 0 1 66 27 5 30 3 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 TW*ROCK*** This crunch sound uses the TW ROCK model. Reverberations from the PhaseDly stand out. 1.00 1 102 39 69 78 47 53 57 62 22 0 1 27 3 0 100 0 0 0 0 0 0 1 65 5 20 18 3 100 0 0 0 0 1 4 499 16 20 0 0 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 68 0 40 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 TONE*CITY* This crunch sound uses the TONE CITY model. Move the Z-pedal vertically to add Flanger. 1.00 1 108 84 58 77 65 55 39 41 22 0 1 27 3 0 100 0 0 0 0 0 0 1 46 43 7 17 3 0 100 0 0 0 1 62 7 4 40 9 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 54 0 80 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 HW*STACK** This clean sound uses the HW STACK model and gives the sound a 3D feeling with a combination of EarlyRef and Air effects. 1.00 1 96 63 56 97 38 51 65 38 22 0 1 27 3 0 100 0 0 0 0 0 0 1 65 6 20 19 3 100 0 0 0 0 1 66 39 6 30 2 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 TANGERINE* This crunch sound uses the TANGERINE effect. Try turning the Phaser ON. 1.00 0 39 6 0 100 0 0 0 0 0 0 1 97 70 62 84 45 50 47 54 22 0 1 27 3 0 100 0 0 0 0 0 0 1 65 5 20 17 3 100 0 0 0 0 1 61 20 9 23 4 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 B-BREAKER* This crunch sound uses the B-Breaker model. The open tone is characteristic of an open-back amp. 1.00 1 109 77 30 97 45 46 50 42 22 0 1 27 3 0 100 0 0 0 0 0 0 1 65 5 20 13 4 100 0 0 0 0 1 62 5 3 32 9 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 MS*CRUNCH* This solo sound combines MS CRUNCH and T Scream and features ping-pong Delay. 1.00 1 73 0 40 96 0 0 0 0 0 0 1 98 55 34 91 52 45 51 43 22 0 1 27 3 0 100 0 0 0 0 0 0 1 65 5 18 22 2 100 0 0 0 0 1 53 559 30 32 3 1 100 0 0 0 1 60 4 5 23 48 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 84 0 38 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 MS1959**** This is the MS 1959 crunch. The Vibe is ready to be activated at the head of the chain. 1.00 0 1 21 48 48 24 1 98 0 0 0 1 140 59 30 92 50 50 50 49 15 0 1 27 3 0 100 0 0 0 0 0 0 1 53 559 35 25 1 1 100 0 0 0 1 61 12 6 37 9 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 18 0 50 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 MS*DRIVE** This drive sound uses the MS DRIVE model. Turn Comp ON to get a clean sound. 1.00 0 23 3 5 3 0 0 0 0 0 0 1 99 79 30 76 40 50 52 53 22 0 1 27 5 0 100 0 0 0 0 0 0 1 66 23 7 23 3 100 0 0 0 0 1 60 9 1 18 13 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 BGN*DRIVE This drive sound is based on the BGN DRIVE effect. Turn Pedal Cry ON to get a half-cocked tone. 1.00 0 68 7 72 92 0 0 0 0 0 0 1 110 83 30 76 52 49 49 54 22 0 1 27 4 0 100 0 0 0 0 0 0 1 44 61 27 18 2 86 0 0 0 0 1 7 2005 2001 10 36 37 100 100 100 0 1 105 9 5 12 32 5 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 84 0 40 0 0 0 0 0 0 0 0 68 0 30 0 0 1 2 3 8 0 0 0 0 0 0 0 0 BG*DRIVE** This is the high-gain sound of the BG DRIVE model. Move the Z-pedal vertically to raise the pitch by 2 octaves! 1.00 1 70 1 2 0 0 100 0 0 0 0 1 100 45 34 88 45 46 52 54 22 0 1 27 11 0 100 0 0 0 0 0 0 1 65 7 20 14 1 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 20 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 DZ*DRIVE** This high-gain sound uses DZ DRIVE and features a crisp, tight tone. 1.00 1 101 43 30 86 51 48 51 49 22 0 1 27 4 0 100 0 0 0 0 0 0 1 62 10 3 32 15 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 4 8 0 0 0 0 0 0 0 0 ALIEN***** This high-gain sound uses the ALIEN effect. This monstrous tone features a fat low-end. 1.00 1 112 62 30 79 50 45 46 53 22 0 1 27 7 0 100 0 0 0 0 0 0 1 5 2006 37 0 6 100 8 100 0 0 0 146 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 0 100 0 0 52 0 50 0 0 0 0 0 0 0 0 51 0 60 0 0 1 2 3 3 0 0 0 0 0 0 0 0 REVO-1**** This high-gain sound uses REVO-1. The NoiseGate shuts out noise. 1.00 0 122 0 60 90 0 0 0 0 0 0 1 28 9 100 0 0 0 0 0 0 0 1 113 63 30 83 48 48 54 50 22 0 1 66 32 3 36 2 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 18 0 50 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 BritMay*** This classic British rock lead tone emphasizes the midrange. 1.00 1 73 4 46 100 0 0 0 0 0 0 1 141 87 40 79 52 63 91 47 5 0 1 27 3 0 100 0 0 0 0 0 0 0 39 5 0 102 0 0 0 0 0 0 1 44 80 29 21 4 100 0 0 0 0 1 64 10 3 35 85 100 0 0 0 0 1 7 2003 2006 0 0 0 100 100 100 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 116 0 60 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 MsJohn This clean tone uses the MS1959 model and is recommended for use with Strats. 1.00 0 0 50 7 5 2 0 0 93 100 0 1 140 33 42 100 55 46 50 54 15 0 1 65 3 20 23 6 100 100 0 0 0 1 61 10 6 42 4 100 100 0 0 0 0 107 559 35 25 1 1 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 18 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 JB*Talks** This talking modulator sound uses the CRY effect. 1.00 1 27 10 0 100 0 0 0 0 0 0 1 36 6 10 19 100 70 0 0 0 0 1 77 20 0 31 0 0 0 0 0 0 1 98 62 30 115 48 54 49 0 22 0 1 30 12 12 12 12 12 0 100 0 0 1 105 48 3 16 50 5 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 15 0 15 15 1 12 100 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 74 0 0 88 0 150 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 OctDancing This distortion sound with thickness added by doubling one octave down is inspired by Jeff Beck's “Come Dancing.” 1.00 1 27 9 1 100 0 0 0 0 0 0 1 37 50 0 100 0 6 100 0 0 0 1 102 95 30 80 50 50 51 50 22 0 1 56 397 32 40 8 0 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 52 0 96 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 JB*Crunch* This long reverb sound is ideal for emotional performances like when Jeff Beck plays “Amazing Grace.” 1.00 1 27 13 0 100 0 0 0 0 0 0 1 109 100 45 114 44 61 37 5 22 0 1 30 6 12 13 12 12 8 100 0 0 1 64 17 7 57 95 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 74 0 0 56 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 J.Graydon* Overdrive and a short delay are used to recall the sound of J. Graydon in his heyday. 1.00 1 73 70 50 100 0 0 0 0 0 0 1 102 28 30 85 50 50 51 50 22 0 1 53 23 0 66 7 0 100 0 0 0 1 53 399 24 25 6 0 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 160 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 BrianDL*** This patch was inspired by the sound used by Queen's Brian May in “Brighton Rock.” The delay flying left and right every two beats is the key. 1.00 1 27 13 1 100 0 0 0 0 0 0 1 31 29 0 0 15 0 24 100 0 0 1 93 100 30 55 46 70 49 0 22 0 1 7 849 1699 86 0 0 100 100 100 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 52 0 84 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Smooth**** This smooth distortion sound is inspired by Eric Johnson's performance of “Cliffs of Dover.” 1.00 1 27 13 0 100 0 0 0 0 0 0 1 73 21 0 126 0 0 0 0 0 0 1 98 100 56 100 48 52 50 0 22 0 1 30 12 13 12 12 12 6 100 0 0 1 53 547 46 46 8 0 100 0 0 0 1 64 14 7 38 89 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 74 0 0 50 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 AH*Solo*** This patch combines 3 delays to produce the smooth lead sound of Allan Holdsworth. 1.00 1 27 13 0 100 0 0 0 0 0 0 1 30 11 11 12 12 12 7 131 0 0 1 102 100 29 99 50 50 43 14 22 0 1 31 30 0 12 15 0 15 100 0 0 1 30 9 11 12 12 12 6 100 0 0 1 7 29 39 91 0 0 100 100 100 0 1 7 120 95 38 0 0 100 100 100 0 1 7 299 399 39 44 34 100 100 95 0 0 146 0 0 0 0 0 0 0 0 0 0 0 74 0 0 88 0 150 0 0 0 0 0 0 0 0 145 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 AH*Chorus* This patch captures Allan Holdsworth's chord sound. Three spatial effects enhance the feeling of depth and width. 1.00 1 27 13 0 100 0 0 0 0 0 0 1 25 25 2 70 4 0 0 0 0 0 1 92 24 44 118 47 50 33 15 22 0 1 30 8 12 12 12 12 12 100 0 0 1 55 137 0 25 10 100 0 0 0 0 1 44 68 30 60 7 100 0 0 0 0 1 7 299 399 39 45 40 100 100 100 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 74 0 0 72 0 150 0 0 0 0 0 0 0 0 145 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 JazzFusion John Scofield inspired this crunch with chorus sound. This patch is perfect for funky jazz fusion. 1.00 1 27 10 1 100 0 0 0 0 0 0 1 94 54 30 104 46 56 30 14 22 0 1 45 36 24 46 8 100 0 0 0 0 1 56 411 28 33 8 0 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Hendrix*** Press down on the pedal to turn PedalVx ON in this Jimi Hendrix sound. Use the Z-pedal to control wah (vertical) and vibrato (right). 1.00 0 67 14 0 100 0 0 0 0 0 0 1 78 50 100 100 0 0 0 0 0 0 1 1 23 50 47 24 1 100 0 0 0 1 98 42 81 56 48 50 49 42 22 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 1 0 18 6 49 0 0 0 0 0 50 23 14 50 23 39 0 0 1 2 3 8 0 0 0 0 0 0 0 0 MetalKirk* This is the sound of a modeled Mesa Boogie Dual Rectifier. Perfect for riffs with the right amount of gain. Use the Z-pedal to turn wah ON. 1.00 0 68 14 0 100 0 0 0 0 0 0 1 100 22 13 62 56 22 60 51 22 0 1 44 29 11 27 7 100 0 0 0 0 1 60 9 5 46 48 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 1 0 18 3 41 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 ZakkWow*** This is based on the Zakk Wylde's wah sound. The key is the mix of chorus and distortion. 1.00 1 27 13 0 100 0 0 0 0 0 0 1 82 48 50 100 0 0 0 0 0 0 1 68 49 0 100 0 0 0 0 0 0 1 98 50 30 74 48 50 49 57 22 0 1 16 18 38 284 40 24 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 74 0 0 50 0 36 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 S.R.V***** The blues tone of Stevie Ray Vaughan is created using Fender Bassman modeling. 1.00 1 75 34 69 100 0 0 0 0 0 0 0 39 10 0 100 0 0 0 0 0 0 1 94 41 73 76 46 50 48 58 22 0 1 61 29 8 60 4 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 The*Police This delay sound was inspired by “Walking On The Moon,” a hit by The Police. 1.00 1 23 6 6 100 1 0 0 0 0 0 1 43 3 24 50 100 0 0 0 0 0 1 92 30 95 39 88 88 54 73 22 0 1 53 5004 55 57 6 1 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 176 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 U2....**** This dotted-eighth-note delay that bounces left and right was popularized by U2's guitarist The Edge. 1.00 1 24 27 5 100 6 0 0 0 0 0 1 43 2 24 50 100 0 0 0 0 0 1 93 9 71 69 67 68 74 33 22 0 1 7 2000 2005 100 0 8 100 72 100 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 176 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 '70s*V.H** This sound is inspired by early Van Halen. Turn the phaser ON for solos! Good for guitars with humbucker pickups. 1.00 0 39 7 0 100 0 0 0 0 0 0 1 30 20 14 14 20 20 20 100 0 0 1 100 11 100 38 68 29 65 100 22 0 1 60 14 5 58 99 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 '90s*V.H** This patch is based on a sound Van Halen has used since the 90s. It's great with humbuckers. 1.00 0 23 6 6 100 1 0 0 0 0 0 1 99 33 100 38 68 35 86 54 22 0 1 31 8 1 17 23 1 16 100 0 0 1 42 37 0 42 5 100 0 0 0 0 1 53 856 9 32 9 1 100 0 0 0 1 60 9 5 46 48 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 160 7 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 J.Hetfield This patch captures the sound of Metallica's Black Album. This one is best with humbucker-ideally active-pickups. 1.00 1 71 26 50 144 0 0 0 0 0 0 1 101 15 72 49 55 46 63 52 22 0 0 39 3 0 100 0 0 0 0 0 0 1 53 239 30 27 8 0 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Bizkit**** Is drop tuning mandatory for the Limp Bizkit metal sound?!? 1.00 1 25 29 3 100 0 0 0 0 0 0 1 71 27 50 100 0 0 0 0 0 0 1 31 8 1 14 24 1 15 100 0 0 1 112 21 30 49 50 50 50 50 22 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 J.Page**** This is the sound used by Jimmy Page live at Madison Square Garden. Turn the wah ON to get it! 1.00 0 68 15 0 85 0 0 0 0 0 0 1 71 50 42 95 0 0 0 0 0 0 1 98 38 41 100 48 50 49 58 22 0 1 60 5 5 49 86 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 1 0 18 0 49 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Nirvana*** This combination of Dist 1 and Chorus effects recalls the distortion sound Nirvana's Kurt Cobain. 1.00 1 76 73 51 150 0 0 0 0 0 0 1 41 25 37 50 5 100 0 0 0 0 1 109 12 30 150 50 50 50 50 22 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 PRETENDERS FD VIBRO is used to make the lead guitar sound used on The Pretenders hit “Kid.” 1.00 1 23 6 6 100 0 0 0 0 0 0 1 71 80 50 150 0 0 0 0 0 0 1 54 16 0 37 5 100 0 0 0 0 1 104 46 57 64 54 50 47 52 22 0 1 63 16 5 39 0 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Prince**** This ring modulator sound was inspired by Prince. 1.00 1 84 54 50 67 0 0 0 0 0 0 1 8 10 31 27 8 100 0 0 0 0 1 115 0 0 100 0 0 0 0 22 0 0 53 5022 0 75 6 1 100 0 0 0 1 64 14 7 69 92 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 S.Lukather This is a solo guitar sound used much by Steve Lukather. 1.00 1 73 70 50 100 0 0 0 0 0 0 1 115 94 74 100 0 0 0 0 22 0 1 108 51 57 61 50 50 50 50 22 0 1 42 35 0 26 8 100 0 0 0 0 1 53 1066 5 28 10 0 100 0 0 0 1 60 9 5 35 48 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 160 0 100 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 4 8 0 0 0 0 0 0 0 0 SmokeWater The solo sound of Deep Purple's Machine Head is the inspiration for this patch. This is the sound of Ritchie the Great in his younger days. 1.00 1 71 86 55 150 0 0 0 0 0 0 1 71 100 21 104 0 0 0 0 0 0 1 93 51 88 54 46 78 83 53 22 0 1 56 292 0 34 8 0 100 0 0 0 1 60 9 2 37 48 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 SweetChild This is the solo sound used on the Guns N' Roses hit “Sweet Child o' Mine.” Use wah for lots of expression! 1.00 0 68 14 0 100 0 0 0 0 0 0 1 75 15 48 100 0 0 0 0 0 0 1 109 72 11 68 85 52 60 100 22 0 1 60 9 5 36 48 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 18 0 49 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 The*Who*** This cutting sound is inspired by Pete Townshend of The Who. 1.00 0 71 88 50 125 0 0 0 0 0 0 1 115 46 49 144 0 0 0 0 22 0 1 96 37 26 38 74 82 77 88 22 0 1 47 30 17 3 15 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 GrantGreen This is the best for tasteful jazz! Play using the front humbucker. 1.00 1 135 4 23 50 0 0 0 0 0 0 0 115 11 48 100 0 0 0 0 22 0 1 92 38 70 86 45 84 32 20 22 0 0 107 0 0 0 0 0 0 0 0 0 1 60 6 7 35 73 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 160 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 GreenDay!! This Green Day sound is perfect for power chords and backing parts. Recommended for humbuckers, P-90s and other pickups with high output. 1.00 1 25 32 3 100 0 0 0 0 0 0 1 71 87 51 136 0 0 0 0 0 0 1 96 97 50 54 46 50 51 50 22 0 1 66 3 8 26 5 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Layla...** This tone can be heard in Eric Clapton's eternal hit Layla. Enjoy it with a Strat in a between pickup setting. 1.00 0 115 48 54 150 0 0 0 0 22 0 1 74 27 87 150 0 0 0 0 0 0 1 109 59 52 51 67 63 63 87 22 0 1 61 13 10 60 39 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 WesMontgo! This sound was inspired by Wes Montgomery. Play tight octave intervals with this one. 1.00 1 135 5 45 58 0 0 0 0 0 0 1 31 20 2 18 15 1 12 90 0 0 1 104 0 68 108 37 98 37 50 22 0 1 63 7 6 30 26 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 160 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Decadence* A 90s hard rock sound as heard in Extreme's “Decadence Dance.” 1.00 1 27 7 0 100 0 0 0 0 0 0 1 42 36 21 40 7 100 0 0 0 0 1 87 78 76 80 0 0 0 0 0 0 1 96 10 55 68 70 22 51 52 22 0 1 60 11 5 38 22 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 176 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 M.S-Wah*** Everyone has tried Michael Schenker's half-cocked wah sound once, right? 1.00 1 27 4 0 100 0 0 0 0 0 0 1 68 10 44 100 0 0 0 0 0 0 1 98 80 100 78 50 55 40 50 22 0 1 61 18 6 64 37 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 176 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 E.V.H***** This captures the crisp riffing sound of Van Halen's “You Really Got Me.” 1.00 1 29 6 100 0 0 0 0 0 0 0 1 115 26 81 100 0 0 0 0 22 0 1 110 76 100 36 87 40 48 90 22 0 1 105 6 7 26 54 6 80 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 176 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Beatle*AC* This is the characteristic thick crunch sound used by The Beatles in their early days. 1.00 1 28 5 100 0 0 0 0 0 0 0 1 93 20 90 74 22 88 43 0 22 0 1 66 54 6 72 8 100 0 0 0 0 1 60 8 3 31 13 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 176 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 WelcomeToJ This captures the precise delay control that can be heard on Guns N' Roses signature tune “Welcome To The Jungle.” 1.00 1 28 6 100 0 0 0 0 0 0 0 1 98 100 100 44 57 62 60 46 22 0 1 7 468 1239 67 18 0 100 100 28 0 1 24 12 1 100 1 0 0 0 0 0 1 64 10 6 59 71 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 176 0 100 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 4 8 0 0 0 0 0 0 0 0 Tele*ClnRH Comp and GraphicEQ are used to create a deep clean tone for rhythmic playing. Great for Telecasters. 1.00 1 23 5 5 100 0 0 0 0 0 0 1 30 17 10 16 12 12 12 120 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Tele*ClnLD Play a Jazz lead with all these effects on then turn the Exciter off for rhythm playing. 1.00 1 23 7 5 100 0 0 0 0 0 0 1 30 12 12 12 12 12 12 100 0 0 1 115 60 71 111 0 0 0 0 22 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Tele*ClnRW A wide stereo chorus and hard compression create a clean sound for backing parts. 1.00 0 107 0 0 0 0 0 0 0 0 0 1 23 7 8 104 0 0 0 0 0 0 1 30 15 9 17 12 12 12 100 0 0 1 44 78 21 43 7 100 0 19 21 0 0 107 0 10 0 0 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 4 8 0 0 0 0 0 0 0 0 Clean*Hall Use this reverb sound for chord playing. Notice the reverb comes in just after the dry signal. 1.00 1 135 7 51 107 0 0 0 0 0 0 1 31 10 4 18 24 2 17 100 0 0 1 105 25 7 29 56 4 100 100 100 0 0 26 20 10 100 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Str*Cln*LD This combines aggressive compression with chorus and delay. It's like soloing through a high gain amp, but with a clean tone. 1.00 1 23 8 6 141 0 0 0 0 0 0 1 31 11 3 22 18 2 11 101 0 0 1 43 3 18 29 100 0 0 0 0 0 1 18 172 20 9 5 92 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Trem*Clean This clean sound has a vintage feel. Use the Z-pedal to control the tremolo. 1.00 1 23 8 3 100 1 12 12 100 0 0 1 30 17 12 12 18 17 12 100 0 0 1 38 68 38 100 21 130 50 50 19 0 1 60 9 8 46 38 100 100 100 100 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 51 45 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 StereoFunk This auto-wah sound is cool and funky. The Air effect creates wide stereo imaging. 1.00 1 23 8 6 100 1 0 0 0 0 0 1 33 15 7 107 6 100 12 100 0 0 1 30 17 14 12 15 19 14 100 0 0 1 66 19 8 33 5 100 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Cln*Talker This uses the Cry effect for the sound of a clean tone through a talk box. This is the Talking Guitar! 1.00 1 24 39 5 100 7 0 0 0 0 0 1 36 6 8 16 100 90 0 0 0 0 1 30 10 18 18 15 13 12 100 0 0 1 21 40 5 7 24 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Clean*Wah This clean tone for typical funk uses Comp, GraphicEQ and WAH100. Use the Z-pedal to control the wah. 1.00 1 23 6 6 100 0 0 0 0 0 0 1 30 17 11 13 14 16 12 100 0 0 1 122 13 60 89 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 50 0 50 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 410BlsMnDR US BLUES and Comp create a classic 4x10 combo sound. 1.00 1 94 61 30 98 46 50 65 49 22 0 1 23 1 6 105 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 410BlsMnWT US BLUES is used with Comp and EarlyRef effects for a classic 4x10 combo amp sound with reverb. 1.00 1 94 60 34 106 46 50 71 39 22 0 1 23 1 5 107 0 0 0 0 0 0 1 65 14 20 43 6 100 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 410BlsSolo Delay and reverb are added to the US BLUES 4x10 combo sound. Hit an open chord, let it ring and check the sustain! 1.00 1 94 100 96 89 23 62 70 32 22 0 1 23 1 6 148 0 0 0 0 0 0 1 65 14 20 29 6 100 0 0 0 0 1 59 356 5 26 26 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 OldSch*Wah This uses the Z-pedal and reverb to create an old-school 70's wah sound. 1.00 1 23 7 7 98 1 0 0 0 0 0 1 30 14 12 12 10 16 18 100 0 0 1 122 0 16 100 0 0 0 0 0 0 1 63 19 8 15 0 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 50 0 50 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Stoney2x12 RackComp and VX COMBO produce a classic rock sound. This rhythm tone has a Tweed Deluxe character. 1.00 1 24 40 5 100 6 0 0 0 0 0 1 93 31 63 100 42 55 51 45 22 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Elec*Rhyth This rhythm sound for classic hard rock uses a little EarlyRef. Remember the shorts and the backpack? 1.00 1 24 39 4 100 5 0 0 0 0 0 1 95 30 48 98 52 56 80 60 22 0 1 65 7 20 8 6 100 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Tunnel*Ld This lead tone sounds like it's coming from somewhere beyond the hills. 1.00 1 23 7 7 117 0 0 0 0 0 0 1 94 64 47 106 11 59 48 43 22 0 1 72 35 5 100 100 8 44 52 0 0 1 16 12 20 160 25 44 99 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Hot*Wet*Ld GraphicEQ, ALIEN, Comp and DynaDelay are combined for a high-gain lead tone perfect for shredding solos! 1.00 1 30 15 18 10 13 19 15 100 0 0 1 112 95 33 109 19 68 50 40 22 0 1 23 2 9 97 0 0 0 0 0 0 1 59 359 6 35 30 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Rokin*Wah Turn HotBox on for lead or off For rhythm with this classic rock wah tone. Use the Z-pedal to control the wah. 1.00 1 22 4 66 93 37 100 100 0 0 0 1 122 0 5 46 0 100 100 100 100 0 1 81 60 50 100 48 45 44 52 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 34 0 50 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Spinner This simulates a miked-up rotary speaker. Use the Z-pedal to control speed. 1.00 1 111 87 41 107 31 44 61 50 22 0 1 123 51 0 94 20 0 100 100 100 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 35 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Washed*Out The CAR DRIVE, Cho+Dly and Comp in this patch create a big overdriven tone that sounds like multiple layered guitars. 1.00 1 114 78 47 100 38 39 75 36 22 0 1 16 22 42 261 40 24 75 0 0 0 1 23 1 6 105 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Funky*Plkr This clean tone is percussive and musical. This is perfect for country-style fingerpicking. 1.00 1 23 6 6 81 0 0 0 0 0 0 1 30 12 12 12 21 14 12 100 0 0 1 63 19 8 43 0 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 TheSweller An orchestral guitar sound. Hit an open chord hard and it will fade in slowly. 1.00 1 26 21 3 100 0 0 0 0 0 0 1 17 26 41 64 100 100 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 ShakeySwll A variation on The Sweller that adds PhaseDly. Try using the Z-pedal for interesting variations. 1.00 1 26 20 9 100 0 0 0 0 0 0 1 17 16 48 62 100 0 0 0 0 0 1 4 499 28 52 42 3 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 53 49 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Broken Comp+OD and DirtyGate are used together to create a tone like a speaker. This is great for staccato playing. 1.00 1 22 4 76 30 50 100 100 100 100 0 1 29 24 150 12 12 12 12 100 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 BigFatFlng This dirty, big-bottomed flanged guitar sound transforms a clean amp into a fat rocking sound! 1.00 1 24 40 5 100 6 0 0 0 0 0 1 21 40 5 55 24 100 0 0 0 0 1 109 44 21 110 32 50 50 50 22 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Demented Comp and PitchDly make a creepy sound that works best with diminished chords and single note lines. 1.00 1 23 6 6 100 1 0 0 0 0 0 1 6 89 21 50 80 8 100 100 100 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 SlyFunkst Comp and SlowFLTR create s nasty funk sound straight out of a 70s soundtrack. 1.00 1 23 8 6 100 1 100 0 0 0 0 1 119 20 10 100 6 1 0 100 100 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Robo*Funk M Comp, RndmFLTR, and ParaEQ create a sick funk sound best for quick staccato single-note lines. 1.00 1 25 40 3 100 0 0 0 0 0 0 1 13 34 50 6 2 1 90 100 100 0 1 31 15 3 21 15 1 12 100 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Option*Les This is a rotating speaker patch with overdrive and reverb. Use the Z-pedal to control rotation speed. 1.00 1 23 4 6 100 0 100 0 0 0 0 1 123 51 1 100 20 0 100 100 100 0 1 63 19 4 26 0 100 100 0 0 0 1 114 28 30 65 31 50 50 21 22 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 35 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Fool*Frnds This emulates the sound of an acoustic guitar plugged directly into an amp. Reverb is optional. 1.00 1 23 6 6 49 0 0 0 0 0 0 1 30 12 12 12 12 18 18 100 0 0 1 85 81 30 150 100 8 90 100 100 0 1 60 17 5 35 43 100 100 100 100 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 The*Rocker This setting will give your clean amp that classic rock crunch with a clear but powerful full-bodied tone. 1.00 1 108 87 70 58 50 50 50 50 22 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 TheSoloist TONE CITY and Governor create a soaring lead tone. Delay is optional. 1.00 1 108 96 33 100 50 50 31 50 22 0 1 74 85 50 71 0 0 0 0 0 0 1 53 559 30 40 10 0 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 StadiumFuz GreatMuff, Arena and GraphicEQ create an extremely distorted metal tone. 1.00 1 79 70 50 100 0 0 0 0 0 0 1 64 14 7 58 89 100 0 0 0 0 1 30 12 12 12 14 16 12 90 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Uni*Clean Use the Z-pedal to control the mod speed of this cool and clean but edgy rhythm modulation tone. 1.00 1 71 100 41 100 100 8 90 100 100 0 1 1 19 59 48 24 1 100 36 62 0 1 63 19 8 26 0 100 100 100 100 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 34 50 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Flip*Tape This simulates a backwards tape machine and is good for single note lines. Try playing in time with the delay. Octave and Comp+OD are optional. 1.00 1 23 6 7 94 1 0 0 0 0 0 1 57 987 20 50 8 100 100 100 100 0 0 37 36 18 80 93 9 100 19 21 0 1 22 3 20 61 50 100 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 50 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 FollowMyLD This doubles a single note melody line with a bass synth. Turn the OverDrive on or off to change the sound. 1.00 1 11 40 100 86 2 8 47 0 0 0 1 23 6 10 41 0 0 0 0 0 0 1 72 100 50 52 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 New*Phase* This cool sound suits chordal melodies well and also works as a nice rhythm tone for blues when PhaseDly is off. 1.00 1 97 23 30 107 26 50 39 50 22 0 0 4 311 28 47 15 3 100 0 0 0 1 60 9 5 46 48 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 The*End*** This setting creates a subtle string harmony coming in and out while arpeggiating chords that sounds like chimes and a guitar together. 1.00 1 23 6 6 70 0 0 0 0 0 0 1 2 70 33 34 2 7 99 0 0 0 1 105 10 7 46 53 7 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Rude*Talkr This twisted lead tone sounds like voices coming from far away. 1.00 0 8 9 22 37 5 78 0 0 0 0 1 75 100 50 84 0 0 0 0 0 0 1 49 19 7 32 25 100 0 0 0 0 1 36 7 8 14 100 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 MatchVibe* This classic rock tone uses MATCH 30. Turn OverDrive on for leads or Vibrato on for backing. 1.00 1 72 37 45 93 0 0 0 0 0 0 1 103 70 70 38 53 53 59 53 22 0 1 1 17 75 84 41 0 143 0 0 0 1 56 553 22 50 8 1 100 0 0 0 1 66 51 8 39 4 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 94 0 0 36 0 150 0 0 0 0 0 50 17 50 68 50 79 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Revolving* This heavy sound with a beautiful low end is great for riffs. Boost and delay can also be added in this patch that is great for modern metal style solos. 1.00 0 73 21 50 41 0 0 0 0 0 0 1 113 34 33 93 21 72 64 38 22 0 1 55 494 16 14 17 80 0 0 0 0 1 61 15 8 64 4 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 36 0 150 0 0 0 0 0 52 14 24 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Livid***** This clean sound uses a chorus and two delays to create width perfect for arpeggios and chords. 1.00 1 23 2 8 100 0 0 0 0 0 0 1 44 80 38 78 7 100 0 0 0 0 1 56 370 29 40 8 0 100 0 0 0 1 18 535 49 8 38 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 20 0 150 0 0 0 0 0 34 73 100 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Metallic** This pure heavy metal riffing sound uses the Mesa boogie amp and a noise gate for an old Metallica-style sound. 1.00 1 28 6 100 0 0 0 0 0 0 0 1 100 30 66 76 33 62 68 46 22 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 19 0 150 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Robot The SeqFLTR creates an interesting continuous sound that is a useful effect for overdubs and pads. 1.00 1 135 7 54 50 0 0 0 0 0 0 1 12 6 6 25 10 10 100 0 0 0 1 44 80 29 60 7 100 0 0 0 0 1 64 14 7 56 89 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 120 0 0 39 0 150 0 0 0 0 0 36 27 49 36 27 9 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Talk*Dirt* This sound is extremely dirty and heavy. Use the Z-pedal to control PedalCry and add a talkbox feeling. 1.00 1 28 9 100 0 0 0 0 0 0 0 0 68 14 0 100 0 0 0 0 0 0 1 37 80 15 100 77 8 100 0 0 0 1 101 27 52 84 50 68 48 52 22 0 1 60 9 5 32 48 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 34 0 49 0 0 0 0 0 51 15 100 50 80 100 0 0 1 2 3 8 0 0 0 0 0 0 0 0 ValleyRock Add flanger and delay to this 80s Heavy Rock sound for a Van Halen flavor. 1.00 1 47 71 67 16 10 147 0 0 0 0 1 73 25 50 41 0 0 0 0 0 0 1 99 29 94 75 65 58 82 52 22 0 1 53 953 18 36 10 1 100 0 0 0 1 60 9 5 36 48 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 73 0 0 52 0 150 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 IndieDrive This indie rock patch has two types of delays that can be used independently or simultaneously. 1.00 0 67 14 0 100 0 0 0 0 0 0 1 71 73 47 100 0 0 0 0 0 0 1 97 50 30 83 49 62 83 42 22 0 1 53 559 17 26 10 1 104 0 0 0 1 4 499 28 26 10 3 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 88 0 0 18 0 49 0 0 0 0 0 71 26 40 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Aut-o-mtc* This clean sound uses auto-wah to change the tone in response to picking nuances. 1.00 1 33 15 6 100 0 0 0 0 0 0 1 92 25 54 130 32 50 57 52 22 0 1 65 12 20 27 6 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Tap*Deep** This compressed and clean sound is good for tapping chords in a Stanley Jordan style, picking arpeggios and cutting melody lines. 1.00 1 135 7 54 50 0 0 0 0 0 0 1 92 21 100 58 48 74 49 52 22 0 1 44 80 29 60 7 100 0 0 0 0 1 7 164 504 24 55 37 100 100 100 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 34 20 41 0 0 0 0 0 52 60 100 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 PsychClass This classic psycho rock patch combines a bluesy crunch sound with modulation effects. 1.00 1 38 80 33 130 21 0 0 0 0 0 1 94 59 30 100 46 50 48 58 22 0 1 45 40 29 66 8 100 0 0 0 0 1 5 499 14 34 6 100 8 100 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 36 0 150 0 0 0 0 0 19 33 50 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 MetallicCh A slight chorus gives this modern heavy sound greater width. 1.00 1 27 10 1 100 0 0 0 0 0 0 0 67 14 0 100 0 0 0 0 0 0 1 100 41 58 57 45 66 55 51 22 0 1 17 7 36 15 100 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 36 0 150 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Progressng This prog metal solo tone for fast picking has an effective modulated ping-pong delay. 1.00 1 70 0 10 0 0 100 0 0 0 0 1 72 24 50 49 0 0 0 0 0 0 1 95 49 49 87 57 37 63 63 22 0 1 4 338 13 25 4 2 100 0 0 0 1 53 1061 0 28 10 1 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 20 0 100 0 0 0 0 0 84 14 39 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Class*A*** This All-American classic tone is good for blues-rock and classic rock. 1.00 0 28 9 100 0 0 0 0 0 0 0 0 68 14 0 100 0 0 0 0 0 0 1 73 13 52 100 0 0 0 0 0 0 1 99 44 74 90 49 63 90 54 22 0 1 64 10 7 26 89 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 52 0 0 34 0 49 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 4 8 0 0 0 0 0 0 0 0 Mr*Lord*** Use a new approach as a guitarist by comping like an organ player. 1.00 1 28 9 100 0 0 0 0 0 0 0 1 2 72 28 80 3 8 145 0 0 0 1 123 58 0 133 20 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 19 0 150 0 0 0 0 0 35 26 76 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 BoomingRff Use this patch for riffing with loud delay. Play in the tempo of the delay. 1.00 1 103 91 98 73 46 53 73 35 22 0 1 7 164 504 64 55 34 100 100 100 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 55 0 0 18 10 90 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Desplugado This acoustic simulator adds chorus for a spacious atmosphere. 1.00 1 85 58 50 100 0 0 0 0 0 0 1 44 80 29 60 7 100 0 0 0 0 1 105 27 7 36 53 7 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 20 0 150 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 OctReason This funk sound is suitable for bass lines. Follow your own ideas to expand your horizons as a guitarist. 1.00 1 37 80 15 100 100 8 100 0 0 0 1 34 14 8 61 0 0 0 0 0 0 1 71 80 50 100 0 0 0 0 0 0 1 62 19 4 46 9 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Mr.Moore** This extreme Marshall sound is a tribute to Gary Moore. 1.00 1 27 9 1 100 0 0 0 0 0 0 1 74 53 50 100 0 0 0 0 0 0 1 98 49 30 85 48 50 49 58 22 0 1 53 589 6 26 10 0 95 0 0 0 1 63 19 8 16 0 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 52 0 150 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 CuttingEdg This lead sound has lots of mids to enhance the picking attack. 1.00 1 70 0 10 0 0 100 0 0 0 0 1 122 0 0 100 0 0 0 0 0 0 1 72 9 50 100 0 0 0 0 0 0 1 110 50 30 85 50 50 50 50 22 0 1 7 164 504 35 55 37 100 100 81 0 1 64 9 7 31 89 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 34 0 50 0 0 0 0 0 20 0 100 20 0 100 0 1 2 3 4 8 0 0 0 0 0 0 0 0 Enfermo*** This heavy rock tone uses the Booster to maximize lead sounds. 1.00 1 28 9 100 0 0 0 0 0 0 0 1 71 80 50 100 0 0 0 0 0 0 1 110 50 30 86 50 50 50 50 22 0 1 64 7 5 56 89 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 52 0 150 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 RiffReflec EarlyRef give more power to riffs. 1.00 1 28 5 100 0 0 0 0 0 0 0 1 24 33 5 100 6 0 0 0 0 0 1 112 50 30 70 53 50 50 50 22 0 1 65 14 20 50 6 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 52 0 150 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 80's*High* High gain with modulation creates an 80's rack effect vibe. Use the Z-pedal to control the chorus and flanger. 1.00 1 27 9 1 100 0 0 0 0 0 0 1 112 50 30 75 50 50 50 50 22 0 1 21 36 6 60 30 100 0 0 0 0 1 64 11 6 51 89 91 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 36 0 150 0 0 0 0 0 50 36 57 53 30 46 0 0 1 2 3 8 0 0 0 0 0 0 0 0 7*mirrors This is a tribute to the enigmatic master guitarist Allan Holdsworth. 1.00 0 24 40 5 100 6 0 0 0 0 0 1 26 20 10 100 0 0 0 0 0 0 1 92 22 27 137 48 45 44 52 22 0 1 44 80 29 76 7 100 0 0 0 0 1 7 164 504 100 55 37 100 100 100 0 1 58 2999 1 30 10 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 120 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 3 4 5 8 0 0 0 0 0 0 0 0 Force*One* Classic American vintage sound. 1.00 1 28 6 100 0 0 0 0 0 0 0 1 75 40 44 90 0 0 0 0 0 0 1 104 30 30 80 54 50 47 52 22 0 1 60 18 5 60 48 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 52 0 120 0 0 0 0 0 34 40 100 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Organ*Lead Solo with this Hammond C3 emulation for something different. 1.00 1 27 9 1 100 0 0 0 0 0 0 1 2 74 22 80 3 8 120 0 0 0 1 123 74 0 120 82 0 0 0 0 0 1 54 506 29 30 5 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 20 0 150 0 0 0 0 0 34 0 100 35 0 100 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Indie*Trip Typical pop rock sound with crunch and delay. Good for both chords and single note melodies. 1.00 1 30 12 12 12 12 16 17 100 0 0 1 5 499 50 90 6 100 8 100 0 0 1 18 164 24 60 40 100 0 0 0 0 1 93 34 30 105 44 50 49 53 22 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 120 0 0 35 26 78 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Claivoyanc Modulation is added to this drive sound. Adjust the drive from clean to crunch with the Z-pedal. 1.00 1 23 2 6 56 0 0 0 0 0 0 1 108 30 82 111 50 50 50 50 22 0 1 44 80 29 60 7 117 0 0 0 0 1 4 493 36 27 30 3 113 0 0 0 1 64 14 7 56 51 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 112 0 0 34 34 70 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 MessiahTap This patch is good for tapping. Play in time with the delay. 1.00 1 116 7 44 150 3 0 0 0 22 0 1 43 2 24 50 100 0 0 0 0 0 1 7 484 504 100 20 42 85 100 0 0 1 7 0 668 100 57 28 114 0 82 0 1 60 12 6 46 16 55 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 120 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Orion***** Use this modern trash metal tone for extreme riffs. 1.00 1 29 9 100 0 0 0 0 0 0 0 0 67 14 0 100 0 0 0 0 0 0 1 101 61 76 40 47 56 72 50 22 0 1 55 494 16 28 11 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 120 0 0 34 0 49 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 PurpleSky* Play a pentatonic riff using this legendary fuzz sound and fly back in time. 1.00 1 27 6 1 100 0 0 0 0 0 0 1 78 70 54 100 0 0 0 0 0 0 1 102 38 30 74 50 50 51 50 22 0 1 54 559 52 37 3 100 0 0 0 0 1 63 9 8 39 59 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 34 0 100 0 0 0 0 0 0 0 0 68 35 91 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Whispering This pure sound uses the Exciter and StereoDly. 1.00 1 115 78 28 100 0 0 0 0 22 0 1 94 59 30 110 46 50 48 58 22 0 1 7 317 504 39 25 18 94 100 0 0 1 7 168 637 34 0 15 92 0 100 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 36 0 110 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 HolyShift* This sound features pitch shifting and is great for solos. Use the Z-pedal to control the pitch. 1.00 1 110 57 30 76 50 50 50 50 22 0 1 52 8 7 83 6 100 0 0 0 0 1 5 461 13 22 6 100 8 100 0 0 1 60 9 5 39 48 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 36 0 100 0 0 0 0 0 51 13 48 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Puff*Muff* This uses well-known muff distortion for a fuzzy sound that is good for indie and 60s psychedelic rock. 1.00 1 27 11 0 100 0 0 0 0 0 0 1 79 25 74 87 0 0 0 0 0 0 1 98 21 38 65 59 81 44 41 22 0 1 65 11 20 50 6 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 34 0 88 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Tap*Dance This flying delay will ignite your creativity. This sound is nice for arpeggios and tapping with a clean tone. 1.00 1 115 31 59 100 0 0 0 0 22 0 1 47 26 13 16 15 100 0 0 0 0 1 58 1833 2 37 4 100 0 0 0 0 1 60 9 5 46 48 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 20 0 150 0 0 0 0 0 52 37 60 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 FullBlast* This heavy metal tone uses both wah and pitch shifting at once. Make new discoveries with the combination. 1.00 1 27 7 0 100 0 0 0 0 0 0 1 24 40 5 100 6 0 0 0 0 0 1 68 14 0 100 0 0 0 0 0 0 1 70 0 10 0 0 100 0 0 0 0 1 100 54 87 56 40 55 58 51 22 0 1 7 265 504 62 21 33 98 100 100 0 1 66 27 5 64 7 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 50 0 49 0 0 0 0 0 68 0 100 68 0 100 0 2 3 4 5 8 0 0 0 0 0 0 0 0 The*ZOO*** Use this close emulation of a talk box to create riffs and solos with an unusual sound. 1.00 0 27 5 1 100 0 0 0 0 0 0 1 36 5 7 19 100 145 0 0 0 0 1 98 39 96 45 85 66 49 58 22 0 1 60 6 5 40 48 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 66 0 29 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Cannonball A perfect mix of flanger and delay is used to create the Van Halen sound. 1.00 1 46 47 7 10 4 55 100 0 0 0 1 72 26 50 88 0 0 0 0 0 0 1 98 74 30 88 48 50 49 58 22 0 1 18 330 28 21 40 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 52 0 150 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Chicken*** Use this country style tone for hybrid picking, chicken picking and slapping. 1.00 1 71 80 50 100 0 0 0 0 0 0 1 23 6 6 95 0 0 0 0 0 0 1 71 40 42 100 0 0 0 0 0 0 1 94 16 84 51 78 89 51 58 22 0 1 66 39 8 66 5 100 0 0 0 0 1 65 12 20 80 6 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 68 0 120 0 0 0 0 0 18 40 100 0 0 0 0 2 3 4 5 8 0 0 0 0 0 0 0 0 Honeydrip* This is a very usable sound for single note lines and lead playing. 1.00 1 25 13 2 118 6 0 0 0 0 0 1 73 98 60 80 0 0 0 0 0 0 1 54 561 26 30 7 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Han*Solo** Spring and AnalogDly are combined well for a cool sound that can be used for almost anything. 1.00 1 23 4 5 104 0 0 0 0 0 0 1 90 94 52 67 0 0 0 0 0 0 1 28 23 135 0 0 0 0 0 0 0 1 63 17 4 7 24 100 0 0 0 0 1 56 607 22 36 7 0 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Bohemian** This is like the sound used in the hit “What I Am” by Edie Brickell and The New Bohemians. 1.00 1 33 15 5 100 6 100 12 100 0 0 1 61 9 6 35 4 100 100 100 100 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Darkness** GreatMuff and Octave combine to make a dark sound that is deep and evil. 1.00 1 79 67 59 82 0 0 0 0 0 0 1 37 37 40 92 100 8 81 0 0 0 1 135 6 56 65 0 0 0 0 0 0 1 63 10 5 8 0 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Psionic*** Used together, T Scream, SeqFLTR, TheVibe and Z Bottom definitely create a crazy sound! 1.00 1 73 98 64 100 0 0 0 0 0 0 1 12 4 5 44 8 2 100 0 0 0 1 1 48 60 30 72 1 100 0 0 0 1 88 25 60 100 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Juicy Using Z Dream, Resonance, DirtyGate and Room, this tone is great for lead playing. It's warm and JUICY! 1.00 1 89 93 58 82 0 0 0 0 0 0 1 34 11 3 100 0 0 0 0 0 0 1 29 22 100 0 0 0 0 0 0 0 1 61 14 7 21 4 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Orbital*** This spacy sound with SlowATTCK should be used as an effect for long open chords. 1.00 1 72 39 73 100 0 0 0 0 0 0 1 17 24 43 23 100 0 0 0 0 0 1 38 47 35 100 20 0 0 0 0 0 1 26 34 6 100 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 18 0 100 0 0 0 0 0 0 0 0 50 0 100 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Space*Lead Comp+OD, Exciter and FilterDly combine for a spacey lead tone. 1.00 1 22 4 83 100 62 0 0 0 0 0 1 115 71 65 45 0 0 0 0 22 0 1 5 618 19 19 33 76 8 100 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Blue*Glass This clean sound is cool and deep and evokes 80s Rush with chords that shimmer subtly. 1.00 1 86 36 72 100 0 0 0 0 0 0 1 43 2 23 50 100 0 0 0 0 0 1 135 5 76 101 0 0 0 0 0 0 1 63 16 7 27 0 100 0 0 0 0 1 56 236 39 43 5 0 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Broken**** Distorted and broken sounding, use this effect to add contrast to “normal” guitar tones. 1.00 1 75 57 74 100 0 0 0 0 0 0 1 8 1 6 66 6 100 0 0 0 0 1 135 7 54 40 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 The*Nerve* This quirky lead sound has a unique tonality. It lends itself to rock and fusion but can used for anything if you have the NERVE! 1.00 1 90 77 50 100 0 0 0 0 0 0 1 45 91 48 23 6 100 0 0 0 0 1 40 15 7 34 120 0 0 0 0 0 1 25 28 3 126 5 0 0 0 0 0 1 66 24 5 15 4 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 It's*Alive This killer sound for solos has a vocal quality depending on the guitar note pitch. 1.00 1 11 36 73 100 2 8 40 0 0 0 1 74 60 79 66 0 0 0 0 0 0 1 54 559 31 22 8 100 0 0 0 0 1 34 14 6 100 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Rear*View* This tricky sound is cool for staccato chords. 1.00 1 73 81 70 100 100 8 90 100 100 0 1 3 10 42 49 23 130 50 50 19 0 1 57 521 36 22 6 99 100 100 100 0 0 107 0 10 0 0 100 12 100 100 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Tropicana* This lead tone features the TANGERINE amp sound. 1.00 1 30 10 14 14 16 15 14 100 0 0 1 74 72 63 100 0 0 0 0 0 0 1 97 31 69 55 73 67 70 61 22 0 1 27 17 0 100 0 0 0 0 0 0 1 63 15 6 13 14 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Lush*Drunk This clean sound, which uses MATCH 30, Room, M-Filter and TapeEcho, is good for fusion chord playing. 1.00 1 123 51 1 100 66 0 0 0 0 0 1 103 20 74 100 62 62 61 55 22 0 1 61 21 5 26 10 100 0 0 0 0 1 0 33 2 2 2 0 1 27 100 0 1 54 559 38 20 7 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Thrash*Em* No explanation needed for this exemplary thrash sound. 1.00 1 73 55 67 110 0 0 0 0 0 0 1 98 87 58 67 75 56 72 61 22 0 1 27 18 0 100 0 0 0 0 0 0 1 61 15 7 6 4 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Anger*Sync Exciter, DZ DRIVE, ZNR and Slicer are combined for a cutting cool sound. 1.00 1 115 36 51 100 0 0 0 0 22 0 1 101 81 61 61 72 61 67 62 22 0 1 27 15 0 100 0 0 0 0 0 0 1 3 11 49 61 11 130 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Flunky**** This unique and very usable funk sound combines VinFLNGR, M-Filter, VX COMBO and Spring effects. 1.00 1 25 38 6 121 5 0 0 0 0 0 1 46 27 46 14 4 65 100 19 21 0 1 0 40 1 5 2 1 1 55 100 0 1 93 8 76 100 47 60 50 54 22 0 1 63 9 5 18 8 100 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 4 8 0 0 0 0 0 0 0 0 Zipper**** This really obnoxious fuzzed-out sound has some depth added by the Air effect. 1.00 1 79 99 63 100 0 0 0 0 0 0 1 111 60 81 37 69 55 58 59 22 0 1 27 16 0 100 0 0 0 0 0 0 1 66 36 7 52 5 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Running*** Phaser, Delay, HW STACK and Room are combined to make Pink Floyd's “Run Like Hell” sound. 1.00 1 25 17 0 100 8 0 0 0 0 0 1 39 8 1 99 0 0 0 0 0 0 1 53 376 16 65 10 0 100 0 0 0 1 96 6 47 94 68 56 50 59 22 0 1 61 11 5 12 4 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 4 8 0 0 0 0 0 0 0 0 Solottery* Using BG CRUNCH, this smooth and squashed solo sound adds nice warmth with AnalogDly. 1.00 1 25 12 3 100 2 0 0 0 0 0 1 71 89 50 113 0 0 0 0 0 0 1 56 685 10 5 8 0 100 0 0 0 1 95 88 73 46 71 76 62 60 22 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Creeper*** This ominous and creepy sound is great with an amp. 1.00 1 17 25 10 100 100 100 0 0 0 0 1 26 45 10 100 12 12 12 100 100 0 1 89 46 50 100 100 8 90 100 100 0 1 105 11 4 32 53 7 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Mrs.*Clean Z Clean, FD COMBO, Cho+Rev and TapeEcho make a clean sound with a unique twist. 1.00 1 86 25 54 100 0 0 0 0 0 0 1 92 21 28 129 50 45 44 54 22 0 1 17 15 11 43 100 0 0 0 0 0 1 54 558 32 48 6 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Lil*Mac*** This light crunch sound uses Z Neos, FD COMBO, ZNR and Room effects. 1.00 1 91 79 58 100 0 0 0 0 0 0 1 92 25 30 58 51 51 44 54 22 0 1 27 18 0 100 0 0 0 0 0 0 1 61 9 7 2 4 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Burnin'*** This patch responds well to picking with a deep distortion for a sound that seems to be on fire. 1.00 1 84 95 70 100 0 0 0 0 0 0 1 102 54 82 53 70 52 51 60 22 0 1 27 16 0 100 0 0 0 0 0 0 1 63 14 6 17 0 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Warmth**** Z Clean, MATCH 30, Spring and OptComp are used in this lightly distorted and very warm tone. 1.00 1 86 97 39 100 0 0 0 0 0 0 1 103 42 30 32 32 50 51 40 22 0 1 63 10 5 10 0 100 0 0 0 0 1 135 8 44 58 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 The*Point* This crazy lead tone has an interesting midrange. Perfect when you want the sound to have more punch. 1.00 1 32 10 8 30 9 99 0 0 0 0 1 31 23 3 21 11 0 1 100 0 0 1 82 81 57 100 0 0 0 0 0 0 1 93 26 79 52 51 65 37 50 22 0 1 27 14 0 100 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 4 8 0 0 0 0 0 0 0 0 Fatso***** This is a very strange sound based on the Octave effect. It's evil, dark, dirty, and, above all, FAT! 1.00 1 37 29 31 95 74 8 100 0 0 0 1 78 80 79 100 0 0 0 0 0 0 1 25 9 1 100 1 0 0 0 0 0 1 29 24 100 0 0 0 0 0 0 0 1 97 45 89 46 72 69 60 62 22 0 1 66 29 7 12 4 100 0 0 0 0 1 9 1 24 20 31 25 8 100 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 4 5 6 8 0 0 0 0 0 0 0 0 The*Brat** This patch defies explanation. It sounds like a kid who won't listen! 1.00 1 119 5 7 100 5 1 0 0 0 0 1 115 40 42 100 0 0 0 0 22 0 1 81 79 54 100 0 0 0 0 0 0 1 27 16 0 100 0 0 0 0 0 0 1 8 4 6 29 8 100 0 0 0 0 1 111 38 75 62 57 65 57 49 22 0 1 54 563 8 10 5 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 4 5 6 7 8 0 0 0 0 0 0 0 0 Weeds***** This uses fCycle, Z Dream, BG CRUNCH and EarlyRef for a subtle and unique solo/lead tone. 1.00 1 23 1 7 100 0 0 0 0 0 0 1 118 24 0 100 100 4 0 0 0 0 1 89 86 57 100 0 0 0 0 0 0 1 27 16 0 100 0 0 0 0 0 0 1 95 30 50 76 60 60 50 60 22 0 1 65 10 16 11 4 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 4 5 6 8 0 0 0 0 0 0 0 0 Fat*Cat*** This sounds like a strange cat crying. 1.00 1 76 90 70 100 0 0 0 0 0 0 1 118 4 3 100 67 9 0 0 0 0 1 77 24 50 100 0 0 0 0 0 0 1 27 15 0 100 0 0 0 0 0 0 1 114 29 61 46 75 67 67 50 22 0 1 59 445 16 19 47 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3 4 5 6 8 0 0 0 0 0 0 0 0 CrossEye** Use this patch for single note lines, solos or simply as an effect. Listen to the changes when you turn WarpPhase, RingMod and other effects off. 1.00 1 14 10 3 100 0 0 0 0 0 0 1 40 28 7 34 120 0 0 0 0 0 1 11 65 54 100 3 8 67 0 0 0 1 71 81 50 100 0 0 0 0 0 0 1 114 49 51 40 70 65 76 51 22 0 1 27 16 0 100 0 0 0 0 0 0 0 60 9 5 17 48 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Heavy*D*** This heavy tone that uses Z Bottom and BG DRIVE was designed with drop D tuning in mind. 1.00 1 88 76 59 100 0 0 0 0 0 0 1 100 24 80 62 70 65 70 55 22 0 1 27 17 0 100 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Classic*** This patch has a very Classic Rock feel to it and is great with an amp. 1.00 1 81 14 57 100 0 0 0 0 0 0 1 92 25 93 47 48 46 45 53 22 0 1 63 14 8 14 0 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Dreams**** FLG+VCho, Z Clean, FD COMBO, RackComp and FilterDly are combined for a lush, clean sound. 1.00 1 21 55 13 17 17 100 0 0 0 0 1 86 27 54 100 0 0 0 0 0 0 1 92 23 72 68 48 45 44 52 22 0 1 24 29 8 60 9 0 0 0 0 0 1 5 513 40 37 30 87 5 100 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 3 4 5 8 0 0 0 0 0 0 0 0 Madness*** This patch uses SeqFLTR and M-Filter effects for a sound that really is madness. 1.00 1 12 3 5 51 6 10 100 0 0 0 1 0 40 8 7 2 1 0 100 100 0 1 25 31 9 100 3 0 0 0 0 0 1 87 75 63 100 0 0 0 0 0 0 1 27 17 0 100 0 0 0 0 0 0 1 45 41 29 61 8 100 0 0 0 0 1 104 56 93 66 60 57 62 58 22 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 20 0 49 0 0 0 0 0 0 0 0 0 0 0 0 4 5 6 7 8 0 0 0 0 0 0 0 0 Proverbs** This is a spacious distorted sound. The Z-pedal can control the length of the reverb. 1.00 1 91 32 60 100 0 0 0 0 0 0 1 41 51 22 37 7 100 0 0 0 0 1 61 14 5 60 9 100 0 0 0 0 1 103 31 77 58 55 54 45 52 22 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 50 0 29 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 4 8 0 0 0 0 0 0 0 0 Chopper*** This distorted choppy sound uses Tremolo and SlowFLTR. The Z-pedal controls the modulation. 1.00 1 82 61 58 100 0 0 0 0 0 0 1 38 100 41 130 23 0 0 0 0 0 1 135 8 56 50 0 0 0 0 0 0 1 119 23 8 100 4 1 0 0 0 0 1 102 58 84 49 62 56 63 55 22 0 1 27 15 0 100 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 35 0 50 35 0 50 0 3 4 5 6 8 0 0 0 0 0 0 0 0 Wood****** This sound uses Governor, M Comp and DELUXE-R for a woody drive tone. The Cry effect adds the feeling of a human voice. 1.00 1 74 69 60 100 0 0 0 0 0 0 1 36 7 5 13 80 100 0 0 0 0 1 25 13 5 100 0 0 0 0 0 0 1 27 15 0 100 0 0 0 0 0 0 1 111 37 73 74 60 61 56 50 22 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 2 3 4 5 8 0 0 0 0 0 0 0 0 AutoDrive* This is a spacious distorted auto-wah sound that is great for lead playing. The Z-pedal controls chorus and reverb. 1.00 1 33 14 8 141 0 0 0 0 0 0 1 76 53 58 50 0 0 0 0 0 0 1 24 21 3 131 6 0 0 0 0 0 1 60 3 9 14 48 100 0 0 0 0 1 41 40 24 35 7 126 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 84 0 40 0 0 0 0 0 0 0 0 68 19 70 0 0 1 2 3 8 0 0 0 0 0 0 0 0 AutoScream A combination of AutoWah and Dist+ produces a very distorted auto-wah sound for leads and solos. Shift the Z-pedal right to control the gain. 1.00 1 33 14 8 105 0 0 0 0 0 0 1 75 76 65 125 0 0 0 0 0 0 1 62 19 4 22 9 100 0 0 0 0 1 24 11 3 113 6 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 18 14 19 0 0 0 0 0 52 25 50 34 76 100 0 0 1 2 3 8 0 0 0 0 0 0 0 0 XtremeWah* This is a spacious and distorted auto wah. The Z-pedal controls the delay feedback. 1.00 1 33 13 7 138 0 0 0 0 0 0 1 84 30 89 119 0 0 0 0 0 0 1 5 499 17 65 6 100 8 114 0 0 1 25 15 3 77 0 0 0 0 0 0 1 28 9 100 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 51 17 50 0 0 0 0 0 34 30 61 0 0 0 0 1 2 3 4 8 0 0 0 0 0 0 0 0 HeavyMedal This very saturated distortion sound is great for heavy metal and rock, as well as rhythm and lead playing. 1.00 1 80 62 54 137 0 0 0 0 0 0 1 30 17 12 12 15 12 13 100 0 0 0 107 0 0 0 0 0 0 0 0 0 1 28 24 100 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 18 62 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 MetaSynCor This huge tone uses synth octaves and a lush delay. The Z-pedal controls the gain, synth and chorus. 1.00 1 80 68 60 142 0 0 0 0 0 0 1 30 16 12 12 15 12 12 100 0 0 1 11 70 51 100 2 9 0 0 0 0 1 41 44 24 22 4 100 0 0 0 0 1 53 559 17 37 7 0 100 0 0 0 1 28 13 100 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 51 50 100 0 0 0 0 0 18 68 100 68 22 50 0 0 1 2 3 8 0 0 0 0 0 0 0 0 WashedAway This high-gain lead sound uses ExtremeDS. The Z-pedal controls the gain and reverb. 1.00 1 84 15 82 86 0 0 0 0 0 0 1 41 40 23 20 7 100 0 0 0 0 1 51 0 8 44 25 100 0 0 0 0 1 21 34 3 34 19 100 0 0 0 0 1 28 13 100 0 0 0 0 0 0 0 1 64 14 7 25 89 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 18 15 55 0 0 0 0 0 0 0 0 100 27 60 0 0 1 2 3 8 0 0 0 0 0 0 0 0 TastyTang* This classic overdriven tone is great for hard rock. The Z-pedal controls the delay. 1.00 1 97 96 81 136 71 35 45 63 22 0 1 24 22 2 81 6 0 0 0 0 0 1 115 42 35 52 0 0 0 0 22 0 1 53 332 27 29 10 0 100 0 0 0 1 28 17 100 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 68 30 60 0 0 0 0 0 67 15 50 0 0 0 0 1 2 3 4 8 0 0 0 0 0 0 0 0 StackedUp* This is a classic British rock tone. The Z-pedal controls the delay, gain and reverb. 1.00 1 96 75 51 56 46 50 51 52 22 0 1 53 357 17 38 10 0 100 0 0 0 1 64 9 6 33 89 100 0 0 0 0 0 46 47 7 18 4 27 100 0 0 0 1 24 9 3 114 6 0 0 0 0 0 1 28 9 100 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 36 0 50 0 0 0 0 0 18 75 100 52 33 60 0 0 1 2 3 8 0 0 0 0 0 0 0 0 HighWatt** This dry and natural British rock tone uses HW STACK and is great for all types of rhythm and solo playing. 1.00 1 96 100 88 60 47 42 73 72 22 0 1 31 8 1 14 16 1 14 100 0 0 1 28 9 100 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 AngelSky** This lush acoustic sound is great for chord playing. The Z-pedal controls the amounts of reverb, chorus and delay. 1.00 1 85 83 83 100 0 0 0 0 0 0 1 16 24 50 359 49 26 100 0 0 0 1 105 36 3 25 53 7 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 52 25 45 0 0 0 0 0 38 26 64 35 50 75 0 0 1 2 3 8 0 0 0 0 0 0 0 0 AngelFaze* A beautiful phase is applied to this acoustic tone. The Z-pedal controls the amount of spatial effects. 1.00 1 85 80 83 107 0 0 0 0 0 0 1 21 38 6 61 24 100 0 0 0 0 1 5 479 45 84 6 100 8 100 0 0 1 64 14 7 64 41 103 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 52 40 79 0 0 0 0 0 36 60 85 68 24 90 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Eds*Thang* This lush reverb effect sounds like a cathedral. This classic Ed-style sound can produce depth in various ways. 1.00 1 85 89 79 120 0 0 0 0 0 0 1 18 289 70 41 3 100 0 0 0 0 1 24 8 1 80 7 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 37 3 51 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 CountryDrt This overdriven sound with some slapback delay is great for modern country. Use the Z-pedal to control the gain when soloing. 1.00 1 103 39 30 130 44 46 65 53 22 0 1 24 8 2 39 8 0 0 0 0 0 1 53 284 14 22 10 0 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 18 39 100 0 0 0 0 0 18 0 100 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 KernelLee* This classic country sound adds slapback echo to a light distortion. Great for finger picking and soloing. 1.00 1 103 33 36 105 53 43 54 53 22 0 1 53 150 8 46 10 0 100 0 0 0 1 24 12 2 37 7 0 0 0 0 0 1 60 3 5 50 17 100 0 0 0 0 1 28 9 100 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 36 43 71 0 0 0 0 0 68 0 70 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 MrGovenor* This uses the Governor effect to produce an overdrive sound for rock. Use the Z-pedal to control delay and reverb. 1.00 1 74 96 72 61 0 0 0 0 0 0 1 31 8 0 14 21 0 16 100 0 0 1 53 479 15 26 10 0 100 0 0 0 1 60 7 7 46 48 100 0 0 0 0 1 28 7 100 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 52 21 45 0 0 0 0 0 0 0 0 68 0 100 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Echo2Marsh This overdrive sound is super wide, making it great for open solo passages. The Z-pedal controls multiple effects. 1.00 1 74 91 67 52 0 0 0 0 0 0 1 31 8 1 13 21 0 15 95 0 0 1 58 2998 6 24 10 100 0 0 0 0 1 44 75 24 50 7 100 0 0 0 0 1 54 559 64 70 5 100 0 0 0 0 1 28 7 100 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 68 33 60 0 0 0 0 0 52 24 40 84 0 70 0 0 1 2 3 8 0 0 0 0 0 0 0 0 PitchedOut This insane pitch transposition sound is great as a solo effect. The Z-pedal controls the amount of the pitch effect. 1.00 1 87 41 61 89 0 0 0 0 0 0 1 31 8 1 14 20 1 14 100 0 0 1 49 0 6 39 25 100 0 0 0 0 1 52 8 0 70 6 100 0 0 0 0 1 49 24 7 43 25 100 0 0 0 0 1 28 7 100 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 68 0 70 0 0 0 0 0 52 0 45 84 0 45 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Trevor`*** This distortion sound adds Spring reverb and 2 HPS effects. Perfect for Yes-like solos. 1.00 1 82 52 77 51 0 0 0 0 0 0 1 31 8 1 10 21 1 14 100 0 0 1 63 19 8 30 0 100 0 0 0 0 1 52 5 0 70 6 100 0 0 0 0 1 52 8 0 70 6 100 0 0 0 0 1 28 8 100 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Open*Wah!* This cry effect is great for soloing and chordal work. The Z-pedal controls multiple effects. 1.00 1 36 7 8 17 100 100 0 0 0 0 1 24 29 2 95 6 0 0 0 0 0 1 30 14 13 15 17 17 18 100 0 0 1 18 164 46 42 40 113 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 67 46 69 0 0 0 0 0 19 8 10 18 0 9 0 0 1 2 3 8 0 0 0 0 0 0 0 0 AcoustiWah A sense of spacious is added to this clean acoustic wah tone. Great for solos and chord passages. The Z-pedal controls the amount of spatial effects. 1.00 1 85 83 65 100 0 0 0 0 0 0 1 36 8 8 17 100 115 0 0 0 0 1 53 559 40 36 10 0 100 0 0 0 1 105 10 7 51 53 8 104 0 0 0 1 54 279 64 78 5 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 68 24 65 0 0 0 0 0 52 35 50 84 50 85 0 1 2 3 4 8 0 0 0 0 0 0 0 0 SteelFilta Using the SeqFLTR, this patch is great for phrases based on chords. Use the Z-pedal to control the EarlyRef balance. 1.00 1 85 95 50 85 0 0 0 0 0 0 1 12 6 6 25 6 10 87 0 0 0 1 65 14 20 50 6 100 0 0 0 0 1 30 14 13 12 19 20 21 100 0 0 1 24 21 3 100 6 0 0 0 0 0 1 28 10 100 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 52 49 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 CaptCrunch This great rock rhythm and soloing tone uses Squeak. The Z-pedal controls the gain. 1.00 1 77 77 56 100 0 0 0 0 0 0 1 30 16 14 14 14 15 16 100 0 0 1 28 15 91 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 18 77 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 CrunchFaze This rock tone adds dense modulation with Comp+Phsr and is great for soloing and rhythm playing with a crunchy sound. 1.00 1 77 77 57 63 0 0 0 0 0 0 1 30 16 15 12 14 15 16 100 0 0 1 19 0 8 100 3 0 0 0 0 0 1 28 12 100 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 51 8 28 0 0 0 0 0 51 8 32 51 0 39 0 0 1 2 3 8 0 0 0 0 0 0 0 0 CrunchCore Chorus adds width to a big rock sound. Use the Z-pedal to control the chorus mix balance and speed. 1.00 1 77 75 63 83 0 0 0 0 0 0 1 30 15 14 13 13 14 15 100 0 0 1 44 80 29 36 7 100 0 0 0 0 1 28 11 100 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 52 30 67 0 0 0 0 0 52 0 0 51 0 49 0 0 1 2 3 8 0 0 0 0 0 0 0 0 CrunchEcho Three delays produce a super-wide rock chorus sound. The Z-pedal controls the balance between the 3 delays. 1.00 1 77 77 65 64 0 0 0 0 0 0 1 30 15 14 12 13 14 15 100 0 0 1 44 80 29 20 7 100 0 0 0 0 1 53 559 30 51 10 0 100 0 0 0 1 53 374 34 61 10 0 100 0 0 0 1 53 999 28 72 10 0 100 0 0 0 1 28 11 100 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 84 0 55 0 0 0 0 0 68 0 48 100 0 64 0 0 1 2 3 8 0 0 0 0 0 0 0 0 ChunkFlang The Z-pedal controls the mix of 3 flangers in this modulated sound that is great for soloing and chord work. 1.00 1 77 80 64 53 0 0 0 0 0 0 1 30 15 14 12 13 14 15 105 0 0 1 106 47 11 18 0 31 100 0 0 0 1 46 47 7 18 4 65 100 0 0 0 1 106 55 36 19 11 25 100 0 0 0 1 28 10 52 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 70 0 65 0 0 0 0 0 54 0 35 86 0 26 0 2 3 4 5 8 0 0 0 0 0 0 0 0 FredFiltas This patch is a combination of exciting filter effects. Use the Z-pedal to control the RndmFLTR balance. 1.00 1 92 9 39 98 73 58 44 70 22 0 0 35 55 25 8 10 100 0 0 0 0 0 12 6 6 25 10 10 95 0 0 0 1 13 34 50 6 2 1 90 100 0 0 1 24 16 2 108 6 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 71 0 100 0 1 2 3 4 8 0 0 0 0 0 0 0 0 St-e-v-Ray This classic SRV Strat tone is great for bluesy phrases. The Z-pedal controls the booster gain. 1.00 1 71 59 45 100 0 0 0 0 0 0 1 111 66 61 108 50 50 50 50 22 0 1 24 12 2 51 6 0 0 0 0 0 1 28 11 100 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 18 49 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 SRVeeTrem* A classic SRV Strat tone with added bluesy tremolo and vibrato. The Z-pedal controls the speed. 1.00 1 71 55 45 100 0 0 0 0 0 0 1 111 62 61 110 50 50 50 50 22 0 1 24 12 2 94 6 0 0 0 0 0 1 38 100 45 104 21 0 0 0 0 0 1 38 74 32 104 21 0 0 0 0 0 1 48 40 35 72 7 98 0 0 0 0 1 28 9 100 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 83 0 40 0 0 0 0 0 67 0 45 100 0 69 0 2 3 4 5 8 0 0 0 0 0 0 0 0 StevieWah* This bluesy tone uses 3 Cry effects. Each produces a different wah type. Use the Z-pedal to control the 3 CRY effects. 1.00 1 71 58 61 101 0 0 0 0 0 0 1 111 62 61 98 50 50 50 50 22 0 1 24 12 2 100 6 0 0 0 0 0 1 36 6 7 8 100 100 0 0 0 0 1 36 6 8 16 100 100 0 0 0 0 1 36 9 9 9 100 100 0 0 0 0 1 28 9 39 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 85 0 100 0 0 0 0 0 69 0 100 101 0 100 0 0 1 2 3 8 0 0 0 0 0 0 0 0 BigBottom* The low-end roars like thunder in this patch that is great for soloing and special passages. The Z-pedal controls Octave and BGN DRIVE. 1.00 1 110 50 33 81 58 53 41 75 22 0 1 30 15 14 13 14 16 18 100 0 0 1 37 74 0 100 55 10 62 0 0 0 1 28 9 100 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 50 0 100 0 0 0 0 0 18 50 90 51 0 100 0 0 1 2 3 8 0 0 0 0 0 0 0 0 DelayDream This clean sound has lots of feedback. The Z-pedal controls the StereoDly balance and feedback. 1.00 1 92 19 41 97 58 55 53 67 22 0 1 31 8 1 12 20 0 15 100 0 0 1 7 164 504 100 55 37 100 100 100 0 1 24 18 1 89 6 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 52 0 100 0 0 0 0 0 53 0 85 54 0 60 0 1 2 3 4 8 0 0 0 0 0 0 0 0 ZBottmWahs This screaming drive sound lets you use 3 different wah effects (2 Wah100 and 1 PedalVx) at the same time. Great for soloing! 1.00 1 122 19 0 100 0 0 0 0 0 0 1 67 14 0 100 0 0 0 0 0 0 1 122 46 94 100 0 0 0 0 0 0 1 88 34 41 100 0 0 0 0 0 0 1 28 14 100 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 34 0 49 0 0 0 0 0 34 0 49 50 0 50 0 0 1 2 3 8 0 0 0 0 0 0 0 0 ScreamnWah This is a screaming heavy metal tone. Choose from 3 pedal wah effects to suit the style or situation. 1.00 0 122 12 63 100 0 0 0 0 0 0 1 68 10 0 100 0 0 0 0 0 0 0 122 21 86 100 0 0 0 0 0 0 1 84 46 50 100 0 0 0 0 0 0 1 28 15 100 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 34 0 49 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 WoundedBee This very tight distorted rock tone has a slapback delay added that seems to wind around. 1.00 1 103 53 36 46 56 47 44 52 22 0 1 30 15 14 12 13 14 15 100 0 0 1 53 249 0 80 10 0 100 0 0 0 1 28 9 100 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 YouGotMe** Edward-style hard rock tone. The swelling flanger reinforces solos and is also good for rhythms. 1.00 1 77 47 63 111 0 0 0 0 0 0 1 54 559 46 38 8 100 0 0 0 0 1 60 9 5 49 15 100 0 0 0 0 1 106 47 7 15 4 15 100 0 0 0 1 28 9 100 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 52 48 75 0 0 0 0 0 35 38 63 70 15 35 0 0 1 2 3 8 0 0 0 0 0 0 0 0 DreamScape With this clean filter effect the notes seem to take off in a pitch-changing delay. This is great for special effects and unaccompanied moments. 1.00 1 0 56 5 7 2 1 0 100 100 0 1 6 89 20 80 80 8 100 100 100 0 1 24 15 3 111 6 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 BluesyFaze Three phaser effects can be added to B-BREAKER in this patch. The Z-pedal controls the WarpPhase. 1.00 1 109 54 30 119 57 55 54 68 22 0 0 10 29 5 87 0 6 0 36 62 0 0 19 6 11 100 3 0 0 0 0 0 1 14 15 6 100 0 0 0 0 0 0 1 28 9 100 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 20 0 150 0 0 0 0 0 0 0 0 67 0 9 0 0 1 2 3 8 0 0 0 0 0 0 0 0 VxFaze*** Use the Z-pedal to control the balance and feedback of the PhaseDly in this rock sound. 1.00 1 93 42 30 100 44 50 49 53 22 0 1 4 499 28 49 27 3 100 0 0 0 1 30 16 14 13 14 15 16 91 0 0 1 28 9 100 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 36 1 50 0 0 0 0 0 36 0 48 35 28 58 0 0 1 2 3 8 0 0 0 0 0 0 0 0 TremGun*** This intense machine gun tremolo is made using the Slicer. Move the Z-PEDAL right to control the tremolo balance. 1.00 1 27 10 0 100 0 0 0 0 0 0 1 112 56 36 57 50 50 50 50 22 0 1 3 0 50 0 0 130 0 0 0 0 1 64 14 7 30 89 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 74 0 0 36 0 150 0 0 0 0 0 0 0 0 52 0 100 0 0 1 2 3 8 0 0 0 0 0 0 0 0 FMD******* This sound, which has a filter that responds to picking and uses modulation and stereo delay to add width, is good for long chords. 1.00 1 34 16 10 100 0 0 0 0 0 0 1 92 28 44 86 48 50 33 16 22 0 1 30 8 12 12 12 12 12 100 0 0 1 55 137 0 24 10 100 0 0 0 0 1 44 68 29 60 7 100 0 0 0 0 1 7 299 399 39 45 40 100 100 100 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 74 0 0 56 0 150 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 BrokenRD** This dirty fuzz sound uses the Bit Crush effect to sound like a broken radio. 1.00 1 27 13 0 100 0 0 0 0 0 0 1 8 5 3 100 8 100 0 0 0 0 1 101 40 30 96 50 52 48 24 22 0 1 63 14 8 28 0 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 74 0 0 52 0 150 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 PAD******* Use this patch to make a nice pad sound just by playing, whole note, half note and other long chords. 1.00 1 26 17 0 100 0 0 0 0 0 0 1 115 22 66 100 0 0 0 0 22 0 1 49 24 6 36 28 100 0 0 0 0 1 104 8 24 70 74 42 19 72 22 0 1 44 70 32 60 8 100 0 0 0 0 1 7 963 726 69 20 43 100 100 100 0 1 64 20 7 59 61 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 176 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Ringie!!!* Use the Z-pedal to control the frequency and distortion of the RING MOD effect. It sounds psychedelic, man! 1.00 0 74 24 100 111 0 0 0 0 0 0 1 40 27 10 50 120 0 0 0 0 0 1 112 39 59 67 50 50 50 50 22 0 1 27 11 0 100 0 0 0 0 0 0 1 53 1865 12 43 8 1 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 160 0 100 0 0 0 0 0 34 27 0 34 27 49 0 0 1 2 3 8 0 0 0 0 0 0 0 0 3rdWorld** Used in C Major, this adds harmony a third below to make a sound with thickness and depth that doesn't seem like it could come from a single guitar. 1.00 1 102 87 30 73 50 50 51 50 22 0 1 52 3 0 48 2 100 0 0 0 0 1 5 499 50 38 6 54 8 100 0 0 1 105 14 7 30 53 7 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 18 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 FilterCLN The M-Filter responds slowly to picking dynamics for a clean sound. This effect is good for cutting, arpeggios and other chord playing. 1.00 1 27 6 0 100 0 0 0 0 0 0 1 23 6 4 100 1 0 0 0 0 0 1 0 93 4 7 2 0 1 100 100 0 1 92 22 50 71 57 45 70 52 22 0 1 55 378 14 34 18 100 0 0 0 0 1 60 6 7 40 25 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 176 0 100 0 0 0 0 0 0 0 0 0 0 0 0 2 3 4 5 8 0 0 0 0 0 0 0 0 Radio***** This patch sounds like a crackling guitar is coming from a small radio in the corner of the room. 1.00 1 28 2 100 0 0 0 0 0 0 0 1 72 58 36 77 0 0 0 0 0 0 1 30 0 0 14 20 5 1 100 0 0 1 31 18 3 18 19 3 18 100 0 0 1 8 5 1 51 7 70 0 0 0 0 1 61 8 5 60 2 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 176 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Step-UP*** Play single notes or power chords and cut them short. The sound will climb while turning around. Play longer notes for a mysterious tone. 1.00 1 27 4 0 100 0 0 0 0 0 0 1 24 18 6 63 8 0 0 0 0 0 1 12 2 6 51 10 7 100 0 0 0 1 93 35 80 100 52 34 65 53 22 0 1 6 249 19 100 82 10 100 0 0 0 1 116 58 100 100 0 10 0 0 22 0 1 65 12 16 58 6 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 176 0 100 0 0 0 0 0 0 0 0 0 0 0 0 3 4 5 6 8 0 0 0 0 0 0 0 0 PDLFL***** Use the Z-pedal to control the flanger in this aggressive and destructive sound. 1.00 1 27 9 0 100 0 0 0 0 0 0 1 46 100 47 20 0 100 100 0 0 0 1 100 43 44 70 42 68 48 17 22 0 1 54 479 42 46 4 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 34 0 100 0 0 0 0 0 0 0 0 35 0 50 0 0 1 2 3 8 0 0 0 0 0 0 0 0 PedalRing* Use the Z-PEDAL to adjust the RING MOD in this patch as you like. Press left and right to adjust the frequency, and move it up and down to control the balance. 1.00 1 27 9 0 100 0 0 0 0 0 0 1 40 25 10 100 120 0 0 0 0 0 1 100 75 30 63 50 50 66 40 22 0 1 44 22 14 40 6 90 0 0 0 0 1 56 399 34 38 8 0 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 36 0 100 0 0 0 0 0 34 0 24 34 24 49 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Atom****** This hall sound is created by setting the pitch delay interval to two. 1.00 1 27 9 0 100 0 0 0 0 0 0 1 92 16 30 104 48 45 44 26 22 0 1 6 269 20 94 92 8 100 0 0 0 1 44 80 30 60 7 100 0 0 0 0 1 60 22 5 48 48 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 70 0 150 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 FunkBass!* This funk bass sound uses the MonoSynth and Cry effects! 1.00 1 23 6 6 150 0 0 0 0 0 0 1 36 6 8 16 100 100 0 0 0 0 1 71 86 50 125 0 0 0 0 0 0 1 96 51 44 53 46 50 51 52 22 0 1 11 69 100 100 2 5 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Theremin This patch simulates the strange sound of a Theremin using the MonoSynth effect. Use your arm to change the pitch in large increments for a more convincing performance. 1.00 1 11 100 0 97 1 10 100 0 0 0 1 92 30 30 86 60 45 44 52 22 0 1 53 559 34 36 10 0 100 0 0 0 1 64 14 7 30 89 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 36 0 150 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Devil*+++* Use the Z-pedal to bring out the Devil! Press the pedal down for the default pitch. 1.00 1 70 3 10 0 0 100 0 0 0 0 1 71 100 50 150 0 0 0 0 0 0 1 36 9 9 15 100 100 0 0 0 0 1 40 46 10 45 120 0 0 0 0 0 1 112 27 30 60 50 50 50 50 22 0 1 53 4478 4 56 10 1 94 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 97 0 0 20 100 0 0 0 0 0 0 66 27 0 66 27 49 0 2 3 4 5 8 0 0 0 0 0 0 0 0 TaurusBS This patch was inspired by the Moog Taurus bass. Parametric EQ is used to boost the heavy low frequencies and a pitch shifter adds thickness. 1.00 1 11 100 0 97 2 10 100 0 0 0 1 31 6 2 20 15 1 12 100 4 0 1 49 12 7 40 32 100 100 0 0 0 0 107 14 7 30 89 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 40 0 150 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 Cascading PitchDelay creates an atmosphere like a cascading waterfall. Use the Z-pedal to control the pitch. 1.00 1 25 36 3 100 0 100 100 100 100 0 1 92 25 89 86 48 45 44 52 22 0 1 45 40 29 53 8 100 0 19 21 0 1 6 103 23 75 65 8 100 100 100 0 1 64 14 7 46 89 100 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 68 0 59 0 0 0 0 0 67 23 30 67 23 0 0 1 2 3 4 8 0 0 0 0 0 0 0 0 PlayWiRazr Use this crazy metallic tone for slow grinding single note lines that sound like they are coming from Mars. 1.00 1 76 60 50 21 100 8 90 100 100 0 1 135 8 56 51 0 0 0 0 0 0 1 3 0 39 41 20 130 50 50 19 0 1 40 27 10 50 120 100 100 19 21 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 be*alarmed Play long power chords or single notes for a surprising unexpected tone. Play aggressive melodies in a high position. 1.00 1 27 3 0 100 0 0 0 0 0 0 1 25 38 4 100 0 0 0 0 0 0 1 53 380 72 80 10 0 100 0 0 0 1 33 16 9 61 0 0 0 0 0 0 1 0 32 6 8 2 0 0 100 100 0 1 50 100 50 100 0 8 100 0 0 0 1 98 20 40 72 67 75 23 56 22 0 1 64 9 7 40 49 100 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 176 0 100 0 0 0 0 0 0 0 0 0 0 0 0 3 4 5 6 8 0 0 0 0 0 0 0 0 Step*Chord Use the tap button to match the tempo of the song that you play and strum a power cord just once to create a new arrangement. 1.00 1 28 6 100 0 0 0 0 0 0 0 1 35 63 52 7 7 100 0 0 0 0 1 100 37 75 42 58 51 39 57 22 0 1 3 4 51 70 10 100 0 0 0 0 1 65 13 13 46 4 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 146 0 0 0 0 0 0 0 0 0 0 0 100 0 0 176 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 8 0 0 0 0 0 0 0 0 DreamSeq** This special effect sound uses Z DREAM and SeqFLTR effects. Move the Z-pedal horizontally to change the pitch. 1.00 1 89 60 50 71 0 0 0 0 0 0 1 12 6 6 25 10 10 100 0 0 0 1 159 100 8 100 0 0 0 0 0 0 0 53 559 30 70 10 0 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 0 100 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 2 3 2 0 0 0 0 0 0 0 0