G3X 1 WAH*BGN*** This drive sound uses the BGN DRIVE effect. Press the expression pedal down to use pedal wah. 0.12 0 68 14 0 100 0 0 0 0 0 0 1 110 83 30 120 52 49 49 54 22 0 1 27 4 0 100 0 0 0 0 0 0 1 44 61 27 18 2 86 0 0 0 0 1 7 164 504 10 36 37 100 100 100 0 1 105 9 5 12 32 5 100 0 0 0 100 8 0 18 0 29 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 TREM*FD*** This uses FD COMBO for a clean sound. Use the expression pedal to control the Tremolo effect. 0.12 0 71 70 50 120 0 0 0 0 0 0 1 38 80 30 130 21 0 0 0 0 0 1 92 60 96 45 67 89 83 52 22 0 1 54 129 41 51 8 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 34 0 100 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 DZ*Bend*** This high-gain sound combines DZ DRIVE and PDL Mono Pitch. 0.12 1 28 9 100 0 0 0 0 0 0 0 1 70 0 10 0 0 100 0 0 0 0 1 101 45 30 95 53 47 51 55 22 0 1 65 4 20 19 6 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 36 0 100 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 MoveJet*** The expression pedal controls the Resonance of the Flanger in this simple flanger sound. 0.12 1 27 7 0 100 0 0 0 0 0 0 1 46 47 7 18 4 65 100 0 0 0 1 97 64 43 100 68 60 44 63 22 0 1 60 8 6 37 28 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 36 10 20 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 FunkyWah** This is a funky pedal wah sound. Turn the compressor and phaser ON for a perfect tone for single-note muted backing lines. 0.12 1 67 14 0 100 0 0 0 0 0 0 0 19 5 11 100 3 0 0 0 0 0 1 27 13 1 100 0 0 0 0 0 0 1 92 3 34 150 40 50 50 30 22 0 1 105 42 7 12 53 7 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 18 0 49 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 MS*Echo*** Use the expression pedal with this 70s Marshall sound to control the TapeEcho Mix. 0.12 1 27 13 0 100 0 0 0 0 0 0 1 73 21 0 126 0 0 0 0 0 0 1 98 100 56 120 48 52 50 0 22 0 1 30 12 13 12 12 12 6 100 0 0 1 54 599 30 20 5 100 0 0 0 0 1 64 14 7 38 89 100 0 0 0 0 74 8 0 84 0 100 0 1 2 3 0 0 0 0 0 0 0 0 0 0 0 0 MultiMod** This rich modulation sound with a wide stereo feel is created by a combination of DuoPhase and StereoChorus effects. 0.12 1 27 9 1 100 0 0 0 0 0 0 1 92 24 30 110 54 45 32 52 22 0 1 10 0 1 100 9 4 2 29 29 0 1 44 80 31 60 7 100 0 0 0 0 1 7 446 584 52 45 36 100 100 95 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 112 0 0 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 ShuffleAT* Using the Slicer, this patch automatically generates a shuffle backing pattern. 0.12 1 27 9 1 100 0 0 0 0 0 0 1 3 14 31 100 0 120 0 0 0 0 1 113 30 38 100 50 50 50 50 22 0 1 60 9 5 24 48 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 35 19 49 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 DriveA-Wah Combining a nice drive sound with auto-wah, this patch sings in response to dynamics with both single note lines and chords. 0.12 1 27 6 0 100 0 0 0 0 0 0 1 33 15 6 100 0 0 0 0 0 0 1 114 36 66 80 75 58 67 48 22 0 1 63 8 6 28 31 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 112 0 0 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 Taste-AC** You don't need to change your axe in the middle of a show. This patch uses the acoustic simulator for a tone with a lot of air. 0.12 1 27 6 1 100 0 0 0 0 0 0 1 25 31 3 100 9 0 0 0 0 0 1 85 75 71 115 0 0 0 0 0 0 1 43 2 23 50 100 0 0 0 0 0 1 66 27 7 77 8 100 0 0 0 0 1 60 8 7 20 23 100 0 0 0 0 100 8 0 128 0 100 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 GoodFuzz** With this patch, you can get a great fuzz sound no matter what the volume setting of the guitar. The clear sound when the volume is around 2 is really great! 0.12 1 78 42 100 100 0 0 0 0 0 0 1 98 27 72 70 70 61 36 63 22 0 1 63 6 7 37 40 100 0 0 0 0 1 27 21 1 100 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 112 0 0 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 Jazz****** This sound is good for jazz with a cool tone. 0.12 1 25 13 2 90 0 0 0 0 0 0 1 41 18 27 50 7 100 0 0 0 0 1 92 0 78 150 55 70 67 0 22 0 1 53 286 2 13 3 0 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 68 5 30 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 Fripper*** This ambient ReverseDelay sound uses a spacious loop. Use the expression pedal to control the ReverseDelay. 0.12 1 79 100 0 34 0 0 0 0 0 0 1 27 13 1 100 0 0 0 0 0 0 1 96 51 30 150 46 50 51 10 22 0 1 57 1251 20 50 8 124 0 0 0 0 1 60 28 5 54 49 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 74 8 0 68 0 70 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 Horn****** Short reflections from the Air effect make this patch sound like a wind instrument. This is great for playing sax-style phrases. 0.12 1 27 13 0 100 0 0 0 0 0 0 1 102 100 18 80 48 50 41 14 22 0 1 31 30 0 12 16 0 22 100 0 0 1 66 74 8 74 5 100 0 0 0 0 1 64 8 7 46 89 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 74 8 0 34 30 100 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 Clean*FLNG Instead of chorus, this clean sound is modulated by a flanger effect. Suits a retro atmosphere. 0.12 1 28 6 100 0 0 0 0 0 0 0 1 23 2 8 90 0 0 0 0 0 0 1 46 38 12 14 14 60 100 0 0 0 1 92 25 65 120 52 40 52 60 22 0 1 63 12 7 32 5 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 112 0 0 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 DST&VIBRO* This bluesy drive sound combines DIST and FD VIBRO effects. 0.12 1 28 6 100 0 0 0 0 0 0 0 0 68 14 0 100 0 0 0 0 0 0 1 75 40 44 90 0 0 0 0 0 0 1 104 30 30 110 54 50 47 52 22 0 1 60 18 5 60 48 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 34 0 49 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 Fast*Filt* This filter sound responds quickly to picking dynamics. Single note lines work best with this effect. 0.12 1 27 6 0 100 0 0 0 0 0 0 1 23 7 6 100 0 0 0 0 0 0 1 0 77 4 6 2 1 0 100 100 0 1 92 30 68 90 54 70 47 52 22 0 1 5 269 13 38 34 31 7 100 0 0 1 62 25 3 42 51 100 0 0 0 0 100 8 0 84 0 100 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 CRY&BLUES* This crunch sound uses the B-BREAKER effect. Use the expression pedal to assign PedalCry. 0.12 0 68 14 0 100 0 0 0 0 0 0 1 24 40 5 120 6 0 0 0 0 0 1 109 44 21 140 32 50 50 50 22 0 1 66 19 8 19 5 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 110 8 0 18 0 49 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 BoostCity* This drive sound uses the TONE CITY effect. Turn the Booster ON for an even more powerful sound. 0.12 0 67 14 0 100 0 0 0 0 0 0 0 71 80 38 115 0 0 0 0 0 0 1 108 84 58 100 65 55 39 41 22 0 1 27 3 0 100 0 0 0 0 0 0 1 62 7 4 40 9 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 18 0 49 0 1 2 3 0 0 0 0 0 0 0 0 0 0 0 0 Heaven**** This patch creates a chord sound that will make you feel like you are in Heaven. This is recommended for long chord backing parts. 0.12 1 26 19 1 110 0 0 0 0 0 0 1 12 6 7 23 6 7 99 0 0 0 1 92 16 30 120 48 45 44 26 22 0 1 44 80 30 60 7 100 0 0 0 0 1 7 618 505 89 32 39 100 100 100 0 1 60 22 5 48 48 100 0 0 0 0 100 8 0 84 30 100 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 StereoFunk This auto-wah sound is cool and funky. The Air effect creates wide stereo imaging. 0.12 1 23 8 6 100 1 0 0 0 0 0 1 33 15 7 107 0 0 0 0 0 0 1 30 17 14 12 15 19 14 100 0 0 1 66 19 8 33 5 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 112 0 0 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 Tele*ClnRW A wide stereo chorus and hard compression create a clean sound for backing parts. 0.12 1 23 7 8 104 0 0 0 0 0 0 1 30 15 9 17 12 12 12 100 0 0 1 44 78 21 43 7 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 112 0 0 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 410BlsSolo Delay and reverb are added to the US BLUES 4x10 combo sound. Hit an open chord, let it ring and check the sustain! 0.12 1 94 100 96 89 23 62 70 32 22 0 1 23 1 6 148 0 0 0 0 0 0 1 65 14 20 29 6 100 0 0 0 0 1 59 356 5 26 26 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 112 0 0 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 Str*Cln*LD This combines chorus and delay in a tone with aggressive compression. The tone is clean, but suitable when you want to solo through a high gain amp. 0.12 1 23 8 6 141 0 0 0 0 0 0 1 31 11 3 22 18 2 11 101 0 0 1 43 3 18 29 100 0 0 0 0 0 1 18 172 20 9 5 92 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 112 0 0 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 Trem*Clean This clean sound has a vintage feel. Use the expression pedal to control the tremolo. 0.12 1 23 8 3 100 1 0 0 0 0 0 1 30 17 12 12 18 17 12 100 0 0 1 38 68 38 100 21 0 0 0 0 0 1 60 9 8 46 38 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 51 45 0 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 Elec*Rhyth This rhythm sound for classic hard rock uses a little EarlyRef. Remember the shorts and the backpack? 0.12 1 24 39 4 100 5 0 0 0 0 0 1 95 30 48 98 52 56 80 60 22 0 1 65 7 20 8 6 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 112 0 0 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 Washed*Out The CAR DRIVE, Cho+Dly and Comp in this patch create a big overdriven tone that sounds like multiple layered guitars. 0.12 1 114 78 47 100 38 39 75 36 22 0 1 16 22 42 261 40 24 75 0 0 0 1 23 1 6 105 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 112 0 0 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 BigFatFlng This dirty, big-bottomed flanged guitar sound transforms a clean amp into a fat rocking sound! 0.12 1 24 40 5 100 6 0 0 0 0 0 1 21 40 5 55 24 100 0 0 0 0 1 109 44 21 110 32 50 50 50 22 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 112 0 0 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 Robo*Funk* M Comp, RndmFLTR, and ParaEQ create a sick funk sound best for quick staccato single-note lines. 0.12 1 25 40 3 100 0 0 0 0 0 0 1 13 34 50 6 2 1 90 100 0 0 1 31 15 3 21 15 1 12 100 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 128 0 100 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 Fool*Frnds This emulates the sound of an acoustic guitar plugged directly into an amp. Reverb is optional. 0.12 1 23 6 6 49 0 0 0 0 0 0 1 30 12 12 12 12 18 18 100 0 0 1 85 81 30 150 0 0 0 0 0 0 1 60 17 5 35 43 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 112 0 0 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 MatchVibe* This classic rock tone uses MATCH 30. Turn OverDrive on for leads or The Vibe on for backing. 0.12 1 72 37 45 93 0 0 0 0 0 0 1 103 70 70 38 53 53 59 53 22 0 1 1 17 75 84 41 0 143 0 0 0 1 56 553 22 50 8 1 100 0 0 0 1 66 51 8 39 4 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 94 8 0 112 0 0 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 Revolving* This heavy sound with a beautiful low end is great for riffs. Boost and delay can also be added in this patch that is great for modern metal style solos. 0.12 0 73 21 50 41 0 0 0 0 0 0 1 113 34 33 93 21 72 64 38 22 0 1 55 494 16 14 17 80 0 0 0 0 1 61 15 8 64 4 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 112 0 0 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 Livid***** This clean sound uses a chorus and two delays to create width perfect for arpeggios and chords. 0.12 1 23 2 8 100 0 0 0 0 0 0 1 44 80 38 78 7 100 0 0 0 0 1 56 370 29 40 8 0 100 0 0 0 1 18 535 49 8 38 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 112 0 0 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 ValleyRock Add flanger and delay to this 80s Heavy Rock sound for a Van Halen flavor. 0.12 1 47 71 67 16 10 147 0 0 0 0 1 73 25 50 41 0 0 0 0 0 0 1 99 29 94 75 65 58 82 52 22 0 1 53 953 18 36 10 1 100 0 0 0 1 60 9 5 36 48 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 73 8 0 112 0 0 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 IndieDrive This indie rock patch has two types of delays that can be used independently or simultaneously. 0.12 0 67 14 0 100 0 0 0 0 0 0 1 71 73 47 100 0 0 0 0 0 0 1 97 50 30 83 49 62 83 42 22 0 1 53 559 17 26 10 1 104 0 0 0 1 4 499 28 26 10 3 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 88 8 0 18 0 49 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 MetallicCh A slight chorus gives this modern heavy sound greater width. 0.12 1 27 10 1 100 0 0 0 0 0 0 0 67 14 0 100 0 0 0 0 0 0 1 100 41 58 57 45 66 55 51 22 0 1 17 7 36 15 100 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 34 0 49 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 Progressng This prog metal solo tone for fast picking has an effective modulated ping-pong delay. 0.12 1 70 0 10 0 0 100 0 0 0 0 1 72 24 50 49 0 0 0 0 0 0 1 95 49 49 87 57 37 63 63 22 0 1 4 338 13 25 4 2 100 0 0 0 1 53 1061 0 28 10 1 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 20 0 100 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 Enfermo*** This heavy rock tone uses the Booster to maximize lead sounds. 0.12 1 28 9 100 0 0 0 0 0 0 0 1 71 80 50 100 0 0 0 0 0 0 1 110 50 30 86 50 50 50 50 22 0 1 64 7 5 56 89 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 112 0 0 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 7*mirrors* This is a tribute to the enigmatic master guitarist Allan Holdsworth. 0.12 0 24 40 5 100 6 0 0 0 0 0 1 26 20 10 100 0 0 0 0 0 0 1 92 22 27 137 48 45 44 52 22 0 1 44 80 29 76 7 100 0 0 0 0 1 7 164 504 100 55 37 100 100 100 0 1 58 2499 1 30 10 100 0 0 0 0 120 8 0 112 0 0 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 HolyShift* This sound features pitch shifting and is great for solos. Use the expression pedal to control the HPS Mix. 0.12 1 110 57 30 76 50 50 50 50 22 0 1 52 8 7 83 6 100 0 0 0 0 1 5 461 13 22 6 100 8 100 0 0 1 60 9 5 39 48 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 36 0 100 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 Honeydrip* This is a very usable sound for single note lines and lead playing. 0.12 1 25 13 2 118 6 0 0 0 0 0 1 73 98 60 80 0 0 0 0 0 0 1 54 561 26 30 7 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 112 0 0 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 It's*Alive This killer sound for solos has a vocal quality depending on the guitar note pitch. 0.12 1 11 36 73 100 2 8 40 0 0 0 1 74 60 79 66 0 0 0 0 0 0 1 54 559 31 22 8 100 0 0 0 0 1 34 14 6 100 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 112 0 0 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 Tropicana* This lead tone features the TANGERINE amp sound. 0.12 1 30 10 14 14 16 15 14 100 0 0 1 74 72 63 100 0 0 0 0 0 0 1 97 31 69 55 73 67 70 61 22 0 1 27 17 0 100 0 0 0 0 0 0 1 63 15 6 13 14 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 112 0 0 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 Thrash*Em* No explanation needed for this exemplary thrash sound. 0.12 1 73 55 67 110 0 0 0 0 0 0 1 98 87 58 67 75 56 72 61 22 0 1 27 18 0 100 0 0 0 0 0 0 1 61 15 7 6 4 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 112 0 0 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 Zipper**** This really obnoxious fuzzed-out sound has some depth added by the Air effect. 0.12 1 79 99 63 100 0 0 0 0 0 0 1 111 60 81 37 69 55 58 59 22 0 1 27 16 0 100 0 0 0 0 0 0 1 66 36 7 52 5 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 112 0 0 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 Solottery* Using BG CRUNCH, this smooth and squashed solo sound adds nice warmth with AnalogDly. 0.12 1 25 12 3 100 2 0 0 0 0 0 1 71 89 50 113 0 0 0 0 0 0 1 56 685 10 5 8 0 100 0 0 0 1 95 88 73 46 71 76 62 60 22 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 112 0 0 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 Creeper*** This ominous and creepy sound is great with an amp. 0.12 1 17 25 10 100 100 0 0 0 0 0 1 26 45 10 100 0 0 0 0 0 0 1 89 46 50 100 0 0 0 0 0 0 1 105 11 4 32 53 7 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 144 0 100 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 Heavy*D*** This heavy tone that uses Z Bottom and BG DRIVE was designed with drop D tuning in mind. 0.12 1 88 76 59 100 0 0 0 0 0 0 1 100 24 80 62 70 65 70 55 22 0 1 27 17 0 100 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 112 0 0 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 Classic*** This patch has a very Classic Rock feel to it and is great with an amp. 0.12 1 81 14 57 100 0 0 0 0 0 0 1 92 25 93 47 48 46 45 53 22 0 1 63 14 8 14 0 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 112 0 0 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 Wood****** This sound uses Governor, M Comp and DELUXE-R for a woody drive tone. The Cry effect adds the feeling of a human voice. 0.12 1 74 69 60 100 0 0 0 0 0 0 1 36 7 5 13 80 100 0 0 0 0 1 25 13 5 100 0 0 0 0 0 0 1 27 15 0 100 0 0 0 0 0 0 1 111 37 73 74 60 61 56 50 22 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 112 0 0 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 XtremeWah* This is a spacious and distorted auto wah sound. The expression pedal controls the delay feedback. 0.12 1 33 13 7 138 0 0 0 0 0 0 1 84 30 89 119 0 0 0 0 0 0 1 5 499 17 65 6 100 8 114 0 0 1 25 15 3 77 0 0 0 0 0 0 1 28 9 100 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 51 17 50 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 HeavyMedal This very saturated distortion sound is great for heavy metal and rock, as well as rhythm and lead playing. 0.12 1 80 62 54 137 0 0 0 0 0 0 1 30 17 12 12 15 12 13 100 0 0 1 28 24 100 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 18 62 100 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 MetaSynCor Synth octaves and a lush delay make this tone huge. The expression pedal controls the synth. 0.12 1 80 68 60 142 0 0 0 0 0 0 1 30 16 12 12 15 12 12 100 0 0 1 11 70 51 100 2 9 0 0 0 0 1 41 44 24 22 4 100 0 0 0 0 1 53 559 17 37 7 0 100 0 0 0 1 28 13 100 0 0 0 0 0 0 0 100 8 0 51 50 100 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 StackedUp* This is a classic British rock tone. The expression pedal controls the delay. 0.12 1 96 75 51 56 46 50 51 52 22 0 1 53 357 17 38 10 0 100 0 0 0 1 64 9 6 33 89 100 0 0 0 0 0 46 47 7 18 4 27 100 0 0 0 1 24 9 3 114 6 0 0 0 0 0 1 28 9 100 0 0 0 0 0 0 0 100 8 0 36 0 50 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 AngelFaze* This patch adds a tone that sound like an acoustic sound with a beautiful phase effect. The expression pedal controls the FilterDly Mix. 0.12 1 85 80 83 107 0 0 0 0 0 0 1 21 38 6 61 24 100 0 0 0 0 1 5 479 45 84 6 100 8 100 0 0 1 64 14 7 64 41 103 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 52 40 79 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 MrGovenor* This uses the Governor effect to produce an overdrive sound good for rock. Use the expression pedal to control the Delay Mix. 0.12 1 74 96 72 61 0 0 0 0 0 0 1 31 8 0 14 21 0 16 100 0 0 1 53 479 15 26 10 0 100 0 0 0 1 60 7 7 46 48 100 0 0 0 0 1 28 7 100 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 52 21 45 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 PitchedOut This insane pitch transposition sound is great for tricky solos. The expression pedal controls the HPS Mix. 0.12 1 87 41 61 89 0 0 0 0 0 0 1 31 8 1 14 20 1 14 100 0 0 1 49 0 6 39 25 100 0 0 0 0 1 52 8 0 70 6 100 0 0 0 0 1 49 24 7 43 25 100 0 0 0 0 1 28 7 100 0 0 0 0 0 0 0 100 8 0 68 0 70 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 Open*Wah!* This cry effect is great for soloing and chord playing. The expression pedal controls the delay of DLY+Reverb. 0.12 1 36 7 8 17 100 100 0 0 0 0 1 24 29 2 95 6 0 0 0 0 0 1 30 14 13 15 17 17 18 100 0 0 1 18 164 46 42 40 113 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 67 46 69 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 CrunchCore Chorus adds width to this big rock sound. Use the expression pedal to control the StereoCho Mix. 0.12 1 77 75 63 83 0 0 0 0 0 0 1 30 15 14 13 13 14 15 100 0 0 1 44 80 29 36 7 100 0 0 0 0 1 28 11 100 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 52 30 67 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 DreamScape With this clean filter effect the notes seem to take off in a pitch-changing delay. This is great for special effects and unaccompanied moments. 0.12 1 0 56 5 7 2 1 0 100 100 0 1 6 89 20 80 80 8 100 0 0 0 1 24 15 3 111 6 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 128 0 100 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 FD*COMBO** This is the clean sound of the FD COMBO. Press the expression pedal down to turn PedalVx ON. 0.12 0 67 14 0 100 0 0 0 0 0 0 1 24 40 5 100 6 0 0 0 0 0 0 63 15 9 19 0 103 0 0 0 0 1 92 27 32 110 51 43 43 52 22 0 1 61 7 8 31 4 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 18 0 49 0 1 2 3 0 0 0 0 0 0 0 0 0 0 0 0 DELUXE-R** This crunch sound uses the DELUXE-R effect. Turn the HotBox ON to boost it even more. 0.12 0 81 3 67 49 0 0 0 0 0 0 1 111 73 37 90 44 57 48 40 22 0 1 63 15 8 25 0 100 0 0 0 0 1 56 345 28 0 8 1 100 0 0 0 1 61 13 5 38 3 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 68 0 40 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 FD*VIBRO** This crunch sound uses the FD VIBRO model. Use the expression pedal to add Tremolo. 0.12 1 38 0 35 130 21 0 0 0 0 0 1 104 57 30 100 54 50 46 52 22 0 1 63 15 8 24 0 100 0 0 0 0 1 66 8 6 49 5 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 18 0 100 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 US*BLUES** This crunch sound uses the US BLUES model. Use the expression pedal to add TapeEcho. 0.12 1 94 69 46 140 37 48 42 19 22 0 1 65 5 14 13 2 100 0 0 0 0 1 54 433 43 0 7 100 0 0 0 0 1 105 30 6 15 10 4 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 68 0 60 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 VX*COMBO** This crunch sound uses the VX COMBO model. Use the expression pedal to add Ensemble. 0.12 1 93 20 40 132 35 55 50 37 22 0 1 65 4 20 33 2 100 0 0 0 0 1 45 30 34 0 4 100 0 0 0 0 1 60 2 4 25 52 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 52 0 100 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 VX*JMI**** This crunch sound uses VX JMI. Turn the Booster ON for solos. 0.12 0 71 97 28 124 0 0 0 0 0 0 1 116 71 37 110 34 69 43 46 22 0 1 27 3 0 100 0 0 0 0 0 0 1 65 5 20 20 3 100 0 0 0 0 1 61 8 3 37 28 100 0 0 0 0 1 7 164 504 0 0 0 100 100 100 0 100 8 0 100 0 60 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 BG*CRUNCH* This crunch sound uses the BG CRUNCH model. EarlyRef provides the secret ingredient. 0.12 1 95 82 30 90 51 42 59 61 22 0 1 27 4 0 100 0 0 0 0 0 0 1 65 5 18 15 2 100 0 0 0 0 1 56 359 33 30 8 1 100 0 0 0 1 60 9 5 31 9 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 68 0 50 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 MATCH30*** This clean sound uses the MATCH30 model and gets more width from the Air effect. 0.12 0 67 14 0 100 0 0 0 0 0 0 1 103 48 31 89 48 44 43 39 22 0 1 27 3 0 100 0 0 0 0 0 0 1 66 25 3 58 2 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 18 0 49 0 1 2 3 0 0 0 0 0 0 0 0 0 0 0 0 CAR*DRIVE* This crunch sound uses CAR DRIVE and features resonance characteristic of a small amp. 0.12 0 68 14 0 100 0 0 0 0 0 0 1 114 59 41 75 39 50 50 57 22 0 1 27 3 0 100 0 0 0 0 0 0 1 63 9 4 22 0 100 0 0 0 0 1 66 27 5 30 3 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 18 0 49 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 TW*ROCK*** This crunch sound uses the TW ROCK model. Reverberations from the PhaseDly stand out. 0.12 1 102 39 69 90 47 53 57 62 22 0 1 27 3 0 100 0 0 0 0 0 0 1 65 5 20 18 3 100 0 0 0 0 1 4 499 16 20 0 0 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 68 0 40 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 TONE*CITY* This crunch sound uses the TONE CITY model. Use the expression pedal to add Flanger. 0.12 1 108 84 58 77 65 55 39 41 22 0 1 27 3 0 100 0 0 0 0 0 0 1 46 43 7 17 3 0 100 0 0 0 1 62 7 4 40 9 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 54 0 80 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 HW*STACK** This clean sound uses the HW STACK model and gives the sound a 3D feeling with a combination of EarlyRef and Air effects. 0.12 1 96 63 56 97 38 51 65 38 22 0 1 27 3 0 100 0 0 0 0 0 0 1 65 6 20 19 3 100 0 0 0 0 1 66 39 6 30 2 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 112 0 0 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 TANGERINE* This crunch sound uses the TANGERINE effect. Try turning the Phaser ON. 0.12 0 39 6 0 100 0 0 0 0 0 0 1 97 70 62 100 45 50 47 54 22 0 1 27 3 0 100 0 0 0 0 0 0 1 65 5 20 17 3 100 0 0 0 0 1 61 20 9 23 4 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 112 0 0 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 B-BREAKER* This crunch sound uses the B-Breaker model. The open tone is characteristic of an open-back amp. 0.12 1 109 77 30 106 45 46 50 42 22 0 1 27 3 0 100 0 0 0 0 0 0 1 65 5 20 13 4 100 0 0 0 0 1 62 5 3 32 9 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 112 0 0 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 MS*CRUNCH* This solo sound combines MS CRUNCH and T Scream and features ping-pong Delay. 0.12 1 73 0 40 96 0 0 0 0 0 0 1 98 55 34 91 52 45 51 43 22 0 1 27 3 0 100 0 0 0 0 0 0 1 65 5 18 22 2 100 0 0 0 0 1 53 559 30 32 3 1 100 0 0 0 1 60 4 5 23 48 100 0 0 0 0 100 8 0 84 0 38 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 MS1959**** This is the MS 1959 crunch. The Vibe is ready to be activated at the head of the chain. 0.12 0 1 21 48 48 24 1 98 0 0 0 1 115 50 30 110 50 50 50 50 22 0 1 27 3 0 100 0 0 0 0 0 0 1 53 559 35 25 1 1 100 0 0 0 1 61 12 6 37 9 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 18 0 50 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 MS*DRIVE** This drive sound uses the MS DRIVE model. Turn Comp ON to get a clean sound. 0.12 0 23 3 5 3 0 0 0 0 0 0 1 99 79 30 76 40 50 52 53 22 0 1 27 5 0 100 0 0 0 0 0 0 1 66 23 7 23 3 100 0 0 0 0 1 60 9 1 18 13 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 112 0 0 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 BGN*DRIVE* This drive sound is based on the BGN DRIVE effect. Use the expression pedal to control the StereoDly Mix. 0.12 1 110 83 30 90 52 49 49 54 22 0 1 27 4 0 100 0 0 0 0 0 0 1 44 61 27 18 2 86 0 0 0 0 1 7 164 504 10 36 37 100 100 100 0 1 105 9 5 12 32 5 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 68 0 100 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 BG*DRIVE** This is the high-gain sound of the BG DRIVE model. Move the expression pedal to raise the pitch by 2 octaves! 0.12 1 70 1 2 0 0 100 0 0 0 0 1 100 45 34 88 45 46 52 54 22 0 1 27 11 0 100 0 0 0 0 0 0 1 65 7 20 14 1 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 20 0 100 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 DZ*DRIVE** This high-gain sound uses DZ DRIVE and features a crisp, tight tone. 0.12 1 101 43 30 86 51 48 51 49 22 0 1 27 4 0 100 0 0 0 0 0 0 1 62 10 3 32 15 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 112 0 0 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 ALIEN***** This high-gain sound uses the ALIEN effect. This monstrous tone features a fat low-end. 0.12 1 112 62 30 79 50 45 46 53 22 0 1 27 7 0 100 0 0 0 0 0 0 1 5 2006 37 0 6 100 8 100 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 52 0 50 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 REVO-1**** This high-gain sound uses REVO-1. The NoiseGate shuts out noise. 0.12 0 68 14 0 100 0 0 0 0 0 0 1 28 9 100 0 0 0 0 0 0 0 1 113 63 30 83 48 48 54 50 22 0 1 66 32 3 36 2 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 18 0 49 0 1 2 3 0 0 0 0 0 0 0 0 0 0 0 0 JB*Crunch* This long reverb sound is ideal for emotional performances like when Jeff Beck plays "Amazing Grace." 0.12 1 27 13 0 100 0 0 0 0 0 0 1 109 100 45 120 44 61 37 5 22 0 1 30 6 12 13 12 12 8 100 0 0 1 64 17 7 57 95 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 74 8 0 56 0 100 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 BrianDL*** This patch was inspired by the sound used by Queen's Brian May in "Brighton Rock." The delay flying left and right every two beats is the key. 0.12 1 27 13 1 100 0 0 0 0 0 0 1 31 29 0 0 15 0 24 100 0 0 1 93 100 30 80 46 70 49 0 22 0 1 7 849 504 86 0 0 100 100 100 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 52 0 84 0 1 2 3 0 0 0 0 0 0 0 0 0 0 0 0 Smooth**** This smooth distortion sound is inspired by Eric Johnson's performance of "Cliffs of Dover." 0.12 1 27 13 0 100 0 0 0 0 0 0 1 73 21 0 126 0 0 0 0 0 0 1 98 100 56 100 48 52 50 0 22 0 1 30 12 13 12 12 12 6 100 0 0 1 53 547 46 46 8 0 100 0 0 0 1 64 14 7 38 89 100 0 0 0 0 74 8 0 50 0 100 0 1 2 3 0 0 0 0 0 0 0 0 0 0 0 0 Hendrix*** Press down on the pedal to turn PedalVx ON in this Jimi Hendrix sound. Use the expression pedal to control wah and The Vibe. 0.12 0 67 14 0 100 0 0 0 0 0 0 1 78 50 100 100 0 0 0 0 0 0 1 1 23 50 47 24 1 100 0 0 0 1 98 42 81 70 48 50 49 42 22 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 112 0 0 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 MetalKirk* This modeled Mesa Boogie Dual Rectifier sound is perfect for riffs with the right amount of gain. Use the expression pedal to turn wah ON. 0.12 0 68 14 0 100 0 0 0 0 0 0 1 100 22 13 73 56 22 60 51 22 0 1 44 29 11 27 7 100 0 0 0 0 1 60 9 5 46 48 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 18 3 41 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 U2....**** This dotted-eighth-note delay that bounces left and right was popularized by U2's guitarist The Edge. 0.12 1 24 27 5 100 6 0 0 0 0 0 1 43 2 24 50 100 0 0 0 0 0 1 93 9 71 69 67 68 74 33 22 0 1 7 1000 1005 100 0 8 100 72 100 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 128 0 100 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 E.V.H***** This captures the crisp riffing sound of Van Halen's "You Really Got Me." 0.12 1 29 6 100 0 0 0 0 0 0 0 1 110 76 100 57 87 40 48 86 22 0 1 105 6 7 26 54 6 80 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 112 0 0 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 Beatle*AC* This is the characteristic thick crunch sound used by The Beatles in their early days. 0.12 1 28 5 100 0 0 0 0 0 0 0 1 93 20 90 74 22 88 43 0 22 0 1 66 54 6 72 8 100 0 0 0 0 1 60 8 3 31 13 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 128 0 100 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 J.Page**** This is the sound used by Jimmy Page live at Madison Square Garden. Turn the wah ON to get it! 0.12 0 68 15 0 85 0 0 0 0 0 0 1 71 50 42 95 0 0 0 0 0 0 1 98 38 41 100 48 50 49 58 22 0 1 60 5 5 49 86 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 18 0 49 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 Layla...** This tone can be heard in Eric Clapton's eternal hit Layla. Enjoy it with a Strat in a between pickup setting. 0.12 1 74 27 87 150 0 0 0 0 0 0 1 109 59 52 70 67 63 63 87 22 0 1 61 13 10 60 39 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 128 0 100 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 Mr.Moore** This extreme Marshall sound is a tribute to Gary Moore. 0.12 1 27 9 1 100 0 0 0 0 0 0 1 74 53 50 100 0 0 0 0 0 0 1 98 49 30 85 48 50 49 58 22 0 1 53 589 6 26 10 0 95 0 0 0 1 63 19 8 16 0 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 52 0 150 0 1 2 3 0 0 0 0 0 0 0 0 0 0 0 0 M.S-Wah*** Everyone has tried Michael Schenker's half-cocked wah sound once, right? 0.12 1 27 4 0 100 0 0 0 0 0 0 1 68 10 44 100 0 0 0 0 0 0 1 98 80 100 78 50 55 40 50 22 0 1 61 18 6 64 37 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 34 0 49 0 1 2 3 0 0 0 0 0 0 0 0 0 0 0 0 JazzFusion John Scofield inspired this crunch with chorus sound. This patch is perfect for funky jazz fusion. 0.12 1 27 10 1 100 0 0 0 0 0 0 1 94 54 30 120 46 56 30 14 22 0 1 45 36 24 46 8 100 0 0 0 0 1 56 411 28 33 8 0 100 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 128 0 100 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 Step*Chord Use the tap button to match the tempo of the song that you play and strum a power cord just once to create a new arrangement. 0.12 1 28 6 100 0 0 0 0 0 0 0 1 35 63 52 7 7 100 0 0 0 0 1 100 37 75 42 58 51 39 57 22 0 1 3 4 51 70 10 100 0 0 0 0 1 65 13 13 46 4 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 68 0 100 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 FilterCLN* The M-Filter responds slowly to picking dynamics for a clean sound. This effect is good for cutting, arpeggios and other chord playing. 0.12 1 27 6 0 100 0 0 0 0 0 0 1 23 6 4 100 1 0 0 0 0 0 1 0 93 4 7 2 0 1 100 100 0 1 92 22 50 90 57 45 70 52 22 0 1 55 378 14 34 18 100 0 0 0 0 1 60 6 7 40 25 100 0 0 0 0 100 8 0 128 0 100 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 Theremin** This patch simulates the strange sound of a Theremin using the MonoSynth effect. Use your arm to change the pitch in large increments for a more convincing performance. 0.12 1 11 100 0 97 1 10 100 0 0 0 1 92 30 30 86 60 45 44 52 22 0 1 53 559 34 36 10 0 100 0 0 0 1 64 14 7 30 89 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 36 0 150 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 Atom****** This hall sound is created by setting the pitch delay interval to two. 0.12 1 27 9 0 100 0 0 0 0 0 0 1 92 16 30 104 48 45 44 26 22 0 1 6 269 20 94 92 8 100 0 0 0 1 44 80 30 60 7 100 0 0 0 0 1 60 22 5 48 48 100 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 70 0 150 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0 DreamSeq** This special effect sound uses Z Dream and SeqFLTR effects. Use the expression pedal to control the StereoDly Mix. 0.12 1 89 60 50 100 0 0 0 0 0 0 1 12 6 6 25 10 10 100 0 0 0 1 7 164 504 100 55 37 100 100 100 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 0 107 0 0 0 0 0 0 0 0 0 100 8 0 52 0 100 0 0 1 2 0 0 0 0 0 0 0 0 0 0 0 0